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The state of European cinema : a new dose of reality /
"The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe&...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, UK :
Bloomsbury Academic,
2016.
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| Colección: | Bloomsbury academic collections. Film studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Finney, Angus, |d 1964- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjqJWywg6BwK3QBGxQxrC3 | |
| 245 | 1 | 4 | |a The state of European cinema : |b a new dose of reality / |c Angus Finney ; [foreword by Nik Powell]. |
| 264 | 1 | |a London, UK : |b Bloomsbury Academic, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Bloomsbury academic collections. Film studies : European cinema | |
| 500 | |a Originally published in 1996 by Cassell. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 3, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; Dedication; Acknowledgements; Foreword; 1 Back to the Future: the New State of Play; The summer of supposed strategy; The GATT negotiations; An agreement to disagree; The GATT fudge; The guarantee fund debate; The Guarantee gap; Open arms across the Atlantic; US companies working with European talent; Finding a future audience; Notes; 2 Strategies for Development; The idea problem; Developing in pictures; The European theory; The practical advice; The treatment catch; The French approach; The French future; Policies towards development | |
| 505 | 8 | |a The ACE approachTraining the writers; The new development organization; Putting theory into practice; Notes; 3 Training for the Future; The union background; The UK education trap; The German approach; The freelance problem; The French situation; The Irish situation; Selecting courses; The film school approach; Teaching producers?; The UK situation; On-the-job training; The European dimension; Additional support; The future of training; Notes; 4 Casting and Stars; Star-struck?; The television system; The 'Nouvelle Vague' legacy; The tabloid'truths'; The ambivalence barrier | |
| 505 | 8 | |a The business of castingThe seller's viewpoint; The British-Hollywood axis; The French system; Casting careers; What can be done?; Notes; 5 Europe's Corporate Players; The Hollywood heritage; Approaching risk; European barriers; THE STUDIOS; The British situation; Europe's production houses; The Barrandov experience; The Babelsberg disappointment; THE 'MAJOR' INDUSTRIALISTS; Cautious Bertelsmann; Grupo PRISA's rising star; The Canal Plus phenomenon; The Chargeurs group; The CiBy 2000 boutique; Pulling together the fragments; Notes; Case Study: PolyGram Filmed Entertainment | |
| 505 | 8 | |a PolyGram's selected film acquisitions since 1990Other production interests; Distribution interests (to 1997); The method of entry; The PolyGram green-light system; Notes; 6 Co-production and Co-financing Strategies; The increase in co-productions; Jigsaw puzzles; The additional costs of co-production; The new trend towards co-development; New models for partners; The multilateral approach; A single European market?; New partnerships with North America; Miramax's unique role; Silence on language; Notes; Case Study: Eurimages; A rapid growth; The problem areas; Spreading the finance | |
| 505 | 8 | |a Recoupment questionsDistribution of Eurimages films; Notes; 7 Support Mechanisms Across Europe; Illusions of subsidy support; A heated subject; The different approaches; What kinds of films are we making?; The Spanish upswing; The German scenario; Berlin-Brandenburg Filmboard; What is wrong with Germany?; The new UK film world; The Irish rejuvenation; The French tax system; The problem with tax breaks; MEDIA IPs new wave; Critics of MEDIA II; The great debate; Notes; 8 Feeding the Distribution Pipelines; Implications of dominancy; Business or culture?; The tough end of the business | |
| 520 | |a "The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe's film industry and include a detailed analysis of Europe's public subsidy funds, co-production trends and cinema distribution systems, as well as practical information on screenplay development and training and an examination of Europe's declining film-star system."-- |c Provided by publisher | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion pictures |z Europe. | |
| 650 | 0 | |a Motion picture industry |z Europe. | |
| 650 | 6 | |a Cinéma |x Industrie |z Europe. | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
| 758 | |i has work: |a The state of European cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG3xr6xqtvwKPtD7JPdHfq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 830 | 0 | |a Bloomsbury academic collections. |p Film studies. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4659852 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH31707266 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4659852 | ||
| 938 | |a EBSCOhost |b EBSC |n 1342864 | ||
| 994 | |a 92 |b IZTAP | ||