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OCoLC |
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20240329122006.0 |
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160827s2016 enkai o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d WAU
|d OCLCF
|d OCLCQ
|d LOA
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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| 020 |
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|a 9780199920358
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|a 0199920354
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|a (OCoLC)957125634
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|a MT40
|b .S82 2016
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|a 786.8/13
|2 23
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|a UAMI
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| 100 |
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|a Solomon, Samuel Z.,
|e author.
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|a How to write for percussion :
|b a comprehensive guide to percussion composition /
|c Samuel Z. Solomon.
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| 250 |
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|a 2nd ed.
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| 260 |
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|a Oxford :
|b Oxford University Press,
|c 2016.
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| 300 |
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|a 1 online resource (xviii, 286 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 588 |
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|a Print version record.
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|a Cover; How to Write for Percussion; Copyright; Contents; Foreword to the First Edition; Preface to the Second Edition; Acknowledgments; About the Video Companion; Introduction; How This Book Is Organized; Instruments Covered; Working with Percussionists; Location Specifics; The Value of Not Reading This Book; Chapter 1 General Framework; A Dysfunctional Family; Comparison of Family Relationships; The Problem of Pitch; The Pitches of Percussion; The Validations and Limitations of Novelty; Three Methods for Indeterminately Pitch Instruments; The Written/Improv Divide
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|a Expanding the Color Palette (to Shrink the Setup)The Value of Improvised and Non-Notated Music; Social Composition; Write for People, Not Sounds; Write What Is Wanted, Not What to Do; Working with Percussionists; Chapter 2 General Logistics; Instrument Choice and Management; Six Stories: Three Sad and Three Happy; Why Use Fewer Instruments?; How to Consolidate; Inexpensive Instruments; Exotic Instruments; Electronic Percussion; Multiple Options for a Specified Instrument; Instruments Percussionists May Not Play; Multiple Percussionists; Section Setup; Orchestra; Wind Ensemble; Broadway Pit
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|a Drum Corps and Marching BandsSpecialists; Non-Percussionists Playing Percussion; Chairs and Stands; Issues of Playability; Excessive Polyphony; How Fast Percussionists Can Play; Unidiomatic Writing-Music That Often Requires Memorization; Dynamics; Reaching the Instruments; Instruments with Pedals; Physical Exertion and Shaking; Working with Headphones or Headset Microphones; Chapter 3 General Notation; Basics of Percussion Parts and Scores; Instrument List; Instrument Key; Setup Diagram; Language; Parts; Cues; Percussion in the Conductor's Score; Dynamics; Designing a Notational System
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|a ClefsStaves; Noteheads; Mixing Determinately and Indeterminately Pitched Instruments; Key Signatures; What Goes Where on the Staff; The Chicken or the Egg?; Unspecified Instruments (Indeterminate Instrumentation); How Much to Notate; Systems of Notation for Which There Is No Standard; Return to a "Normal" Method of Playing; Note Length, Articulation, and Phrasing; Note-Length Chart; Exact or Inexact Note-Length Indications; Muting (Muffling, Dampening); Dead Stroke; Damper Pedals; Rolls; Notations That Are Not Recommended; Symbol Notation; Altered Keyboard Notation (Timbre-Staff)
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|a Chapter 4 BeatersTo Indicate or Not to Indicate?; Beater Lingo; Logistic Beater Issues; Sticks; Mallets; Triangle Beaters and Knitting Needles; Brushes; Rute Sticks; Chime Hammers (Tubular Bell Hammers); Superball Mallet; Beaters as Instruments; Hands; Bows; Chapter 5 Keyboard Percussion; Ranges and Construction; Writing for Keyboard Percussion; Stacked Instruments; Multiple Players; Extended Techniques; Miscellaneous; Chapter 6 Drums; Sticks on Drums; Mallets on Drums; Hands on Drums; Playing on the Rim or Shell; Beating Spot; Mutes; Pitch Bending; Drum Size; Two-Headed Drums
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| 500 |
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|a Multiple Drums in Setups.
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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|a Composition (Music)
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| 650 |
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|a Percussion instruments
|x Instruction and study.
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| 650 |
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6 |
|a Composition (Musique)
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| 650 |
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6 |
|a Instruments à percussion
|x Étude et enseignement.
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| 650 |
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7 |
|a Composition (Music)
|2 fast
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| 650 |
|
7 |
|a Percussion instruments
|x Instruction and study
|2 fast
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| 758 |
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|i has work:
|a How to write for percussion (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH3GdBBFbykGw7yvj9fqjP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Solomon, Samuel Z.
|t How to Write for Percussion: A Comprehensive Guide to Percussion Composition.
|d Oxford : Oxford University Press, ©2016
|z 9780199920365
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4414028
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL4414028
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| 994 |
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|a 92
|b IZTAP
|
