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The lute in the Netherlands in the seventeenth century : proceedings of the International Lute Symposium Utrecht, 30 August 2013 /

The lute played a central role in the rich musical culture of the seventeenth-century 'Golden Age' of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singe...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: International Lute Symposium Utrecht, Netherlands
Formato: Electrónico Congresos, conferencias eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars Publishing, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The lute in the Netherlands in the seventeenth century :  |b proceedings of the International Lute Symposium Utrecht, 30 August 2013 /  |c edited by Jan W.J. Burgers, Tim Crawford and Matthew Spring. 
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505 0 |a Table of Contents; Introduction; I. The Lute in the Dutch Golden Age; Psalms for the Lute in the Dutch Republic and Elsewhere; Cultural Entrepreneurship in the Dutch Republic of the Early 17th Century; Leiden, an International Lute Centre in the Golden Age; The Lute in the Dutch Golden Age; II. Constantijn Huygens and the Lute; The Shepherd and his Lute; 'A goose among swans'; Un Bon Nombre d'Illustres; Constantijn Huygens's Lost Instrumental Compositions; III. Lute Sources from the Netherlands; Unknown Pieces for Lyra-viol in Joachim van den Hove's Autograph Manuscript 
505 8 |a Adriaen Valerius's Nederlandtsche Gedenck-clanck (1626)Mr. Q is Mr. R: Johan van Reede, Lord of Renswoude (1593-1682); Johannes Fresneau, a New 'Dutch' Lutenist and a New Dutch Lute Manuscript; 'Make long-forgotten musical heritage resound anew'; A Newly Discovered Dutch Lute Book 
520 |a The lute played a central role in the rich musical culture of the seventeenth-century 'Golden Age' of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singers. Though mainly an instrument of the social elite and the aristocracy, it was also played by the numerous and prosperous burgher class. The first part of the book deals with psalm settings for the lute; the way professional lutenists coped with the harsh rules of the free market; Leiden as a veritable intern. 
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