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|a UAMI
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|a Creativity in transition :
|b politics and aesthetics of cultural production across the globe /
|c edited by Maruska Svasek and Birgit Meyer.
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264 |
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|a New York :
|b Berghahn Books,
|c 2016.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a Material mediations: people and things in a world of movement ;
|v volume 6
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Figures; Acknowledgements; Introduction -- Creativity and Innovation in a World of Movement; Chapter 1 -- African Lace: Agency and Transcontinental Interaction in Textile Design; Chapter 2 -- Heads Against Hands and Hierarchies of Creativity: Indian Luxury Embroidery Between Craft, Fashion Design and Art; Chapter 3 -- The Social Life of Kottan Baskets: Craft Production, Consumption and Circulation in Tamil Nadu, India; Chapter 4 -- Art and the Making of the Creative City of Chennai, India.
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|a Chapter 5 -- Approximation as Interpretative Appropriation: Guaraní-Inspired Ceramics in Misiones, ArgentinaChapter 6 -- Positioned Creativity: Museums, Politics and Indigenous Art in British Columbia and Norway; Chapter 7 -- 'We Paint Our Way and the Christian Way Together': Transforming Yolngu and Ngan'gi Art through Creative Ancestral-Christian Practice; Chapter 9 -- 'The Eye Likes It': National Identity and the Aesthetics of Attraction Among Sri Lankan Tamil Catholics and Hindus.
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|a Chapter 10 -- Narrative, Movements, Objects: Aesthetics and Power in Catholic Devotion to Our Lady of Aparecida, BrazilChapter 11 -- The Art of Imitation: The (Re)Production and Reception of Jesus Pictures in Ghana; Afterword -- Creativity in Transition; Index.
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|a In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with 'innovation' in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Creation (Literary, artistic, etc.)
|x Social aspects.
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650 |
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0 |
|a Originality (Aesthetics)
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650 |
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|a Material culture
|x Social aspects.
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650 |
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|a Culture and globalization.
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650 |
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6 |
|a Originalité (Esthétique)
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650 |
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6 |
|a Culture matérielle
|x Aspect social.
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650 |
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6 |
|a Culture et mondialisation.
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650 |
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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650 |
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7 |
|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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650 |
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7 |
|a Culture and globalization
|2 fast
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650 |
|
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|a Material culture
|x Social aspects
|2 fast
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650 |
|
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|a Originality (Aesthetics)
|2 fast
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650 |
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|a Kreativität
|2 gnd
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650 |
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|a Kunst
|2 gnd
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|a Kunstproduktion
|2 gnd
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|a Kunsthandwerk
|2 gnd
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|a Wandel
|2 gnd
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|a Globalisierung
|2 gnd
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700 |
1 |
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|a Svasek, Maruska,
|e editor.
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700 |
1 |
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|a Meyer, Birgit,
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Creativity in transition.
|d New York : Berghahn Books, 2016
|z 9781785331817
|w (DLC) 2016022365
|w (OCoLC)936348969
|
830 |
|
0 |
|a Material mediations ;
|v v. 6.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4337983
|z Texto completo
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