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Revolution : the event in postwar fiction /
Socially, politically, and artistically, the 1950s make up an odd interlude between the first half of the twentieth century-still tied to the problems and orders of the Victorian era and Gilded Age-and the pervasive transformations of the later sixties. In Revolution, Matthew Wilkens argues that pos...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore :
Johns Hopkins University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Wilkens, Matthew, |d 1974- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJj4xtFdK3vpjMmPJH8Bfq | |
| 245 | 1 | 0 | |a Revolution : |b the event in postwar fiction / |c Matthew Wilkens. |
| 260 | |a Baltimore : |b Johns Hopkins University Press, |c 2016. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- The structure of literary revolutions -- Allegory -- Event -- The encyclopedia as object and metaphor -- Failure and novelty in postwar fiction -- Allegory, encyclopedism, and postwar america -- Ellison's impure manifesto -- Integration and disorder in The golden notebook. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Socially, politically, and artistically, the 1950s make up an odd interlude between the first half of the twentieth century-still tied to the problems and orders of the Victorian era and Gilded Age-and the pervasive transformations of the later sixties. In Revolution, Matthew Wilkens argues that postwar fiction functions as a fascinating model of revolutionary change. Uniting literary criticism, cultural analysis, political theory, and science studies, Revolution reimagines the years after World War II as at once distinct from the decades surrounding them and part of a larger-scale series of rare, revolutionary moments stretching across centuries. Focusing on the odd mix of allegory, encyclopedism, and failure that characterizes fifties fiction, Wilkens examines a range of literature written during similar times of crisis, in the process engaging theoretical perspectives from Walter Benjamin and Fredric Jameson to Bruno Latour and Alain Badiou alongside readings of major novels by Ralph Ellison, William Gaddis, Doris Lessing, Jack Kerouac, Thomas Pynchon, and others. | |
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| 650 | 0 | |a American fiction |y 20th century |x History and criticism. | |
| 650 | 6 | |a Roman américain |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a American fiction |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Wilkens, Matthew, 1974- |t Revolution. |d Baltimore : Johns Hopkins University Press, 2016 |w (DLC) 2016002108 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4531490 |z Texto completo |
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