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160827s2016 xx o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d IDB
|d OCLCO
|d TEFOD
|d OCLCF
|d MERUC
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|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 9781559368643
|q (electronic bk.)
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|a 1559368640
|q (electronic bk.)
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|a (OCoLC)956620737
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|a 277BF72A-4F23-4BF1-BC1C-2EF7C41EAC06
|b OverDrive, Inc.
|n http://www.overdrive.com
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|a n-us---
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|a PN2193.A8
|b .A935 2016eb
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|a 306.4/84
|2 23
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|a UAMI
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|a Rauch, Bill.
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|a Audience Revolution.
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|a La Vergne :
|b Theatre Communications Group,
|c 2016.
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300 |
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|a 1 online resource (241 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|a Foreword; Introduction; Chapter One: Evolution and Resistance; Evolution> Revolution?; Community/Resistance: Reflections on Discourse and Community; The Lies We Tell About Audience Engagement; It Takes a Village to Raise a Theatre; Activating Audience: Theatre of Radical Inclusion; Back to the Future; Inside Out; Teaching Students to Create for Contemporary Audiences; Ancient Technologies for Modern Times; Building Bridges; let's get punk rock about this; Only for ""Black"" Shows: Black Audiences on Standby; For Love of the Ceremony: Thoughts on Audiences and New-Play Festivals.
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|a Ask Your ArtistsGuest in House as God in House: Hospitality as Principle and Practice for Albuquerque's Tricklock Company; Chapter Two: Seeing; I'll Be Your One-Way Mirror: Crossing the Fourth Wall; Making Eye Contact with Millennials: The Ephemeral and the Visceral; Setting the Table; Challenging ""Excellence"" in American Theatre; The Dreams We Make; When Your Play is Set in a Yarn-Bombed Hardware Store; Relaxed Performances, ""Crip Time, "" and Access for All; Where Art is Equal; Chapter Three: Place and Play; Narrative of Place.
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|a A Rumination on Audience Development and a Short Series of Unwieldy QuestionsPlaying in Cities; Imagining Audiences; The Spectator: Coauthor of My Shows; Crafting a Participatory Performance Space; Pillsbury House + Theatre; Stories 'Round the Campfire; MILTON: A Performance and Community-Engagement Experiment; New Opportunities for Surprise; Theatre and the Net: Projects and Possibilities; Space for Theatre; Chapter Four: Being; The Act of Recognition; We Are Not Alone; Art is People; The Volt (of Resistance); What Remains?
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500 |
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|a Please Please Please Let Me Get What I Want (Even If) You Can't Always Get What You WantThe Reminder.
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520 |
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|a From experts in the theatre field, an indispensable book of essays on how to engage your audience.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Theater audiences
|z United States.
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650 |
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0 |
|a Theater
|x Production and direction
|z United States.
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650 |
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|a Theater and society
|z United States.
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650 |
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6 |
|a Théâtre
|x Publics
|z États-Unis.
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650 |
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|a Théâtre
|x Production et mise en scène
|z États-Unis.
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650 |
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6 |
|a Théâtre et société
|z États-Unis.
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650 |
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7 |
|a Theater and society
|2 fast
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650 |
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7 |
|a Theater audiences
|2 fast
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650 |
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7 |
|a Theater
|x Production and direction
|2 fast
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651 |
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7 |
|a United States
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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700 |
1 |
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|a Carey, Alison.
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700 |
1 |
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|a Svich, Caridad.
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758 |
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|i has work:
|a Audience (R)Evolution (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFvTbxDMDVc3R6B9myx8T3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
8 |
|i Print version:
|a Rauch, Bill.
|t Audience Revolution: Dispatches from the Field.
|d La Vergne : Theatre Communications Group, ©2016
|z 9781559365413
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4571594
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL4571594
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994 |
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|a 92
|b IZTAP
|