Visualising slavery : art across the African diaspora /
This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diaporic visual arts tr...
Clasificación: | Libro Electrónico |
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Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Liverpool :
Liverpool University Press,
2016.
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Colección: | Liverpool studies in international slavery ;
9. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: 'Inside the Invisible": African Diasporic Artists Visualise Transatlantic Slavery / Celeste-Marie Bernier and Hannah Durkin
- pt. 1 Slavery and Memory in Contemporary African Diasporic Art. Lost and Found at the Swap Meet: Betye Saar and the Everyday Object / Lubaina Himid
- Preserves / Debra Priestly
- What Goes without Saying / Hank Willis Thomas
- Spectres in the Postcolonies: Reimagining Violence and Resistance / Roshini Kempadoo
- Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account / Keith Piper
- pt. 2. Historical Iconography and Visualising Transatlantic Slavery. Chattel Record: Visualising the Archive in Diasporan Art / Fionnghuala Sweeney
- Henry Box Brown, African Atlantic Artists and Radical Interventions / Alan Rice
- Uncle Tom and the Problem of `Soft' Resistance to Slavery / David Bindman
- After-Image: Frederick Douglass in Visual Culture / Zoe Trodd
- pt. 3. African Diasporic Monuments and Memorialisation. Siting the Circum-Atlantic: Nelson in a Bottle in Trafalgar Square / Geoff Quilley
- Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion / Leon Wainwright
- "The Greatest Negro Monuments on Earth': Richmond Barthé's Memorials to Toussaint Louverture and Jean-Jacques Dessalines / Hannah Durkin
- pt. 4. Contemporary Legacies in African Diasporic Art. We Might Not Be Surprised: Visualising Slavery and the Slave Ship in the Works of Charles Campbell and Mary Evans / Eddie Chambers
- `X is for X Ray, X Slave, X Colony': A 'Lexicon of Liberation' versus 'My Slave History' in the Paintings, Installations and Sketchbooks of Donald Rodney / Celeste-Marie Bernier
- Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage / Marcus Wood
- Afterword: Against the Grain: Contingency and Found Objects / Nathan Grant.