|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
EBOOKCENTRAL_ocn956277513 |
| 003 |
OCoLC |
| 005 |
20240329122006.0 |
| 006 |
m o d |
| 007 |
cr |n|---||||| |
| 008 |
160827s2016 enk o 000 0 eng d |
| 040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d IDB
|d OCLCO
|d OCLCF
|d UAB
|d OCLCQ
|d YDX
|d UKMGB
|d OCLCQ
|d OCLCO
|d K6U
|d OCLCQ
|d OCLCO
|
| 019 |
|
|
|a 967369424
|
| 020 |
|
|
|a 9781472580160
|
| 020 |
|
|
|a 1472580168
|
| 029 |
1 |
|
|a AU@
|b 000065211966
|
| 029 |
1 |
|
|a UKMGB
|b 018015216
|
| 035 |
|
|
|a (OCoLC)956277513
|z (OCoLC)967369424
|
| 050 |
|
4 |
|a PN1635
|b .M677 2016eb
|
| 082 |
0 |
4 |
|a 809.2
|2 23
|
| 049 |
|
|
|a UAMI
|
| 100 |
1 |
|
|a Morra, Irene.
|
| 245 |
1 |
0 |
|a Verse Drama in England, 1900-2015 :
|b Art, Modernity and the National Stage.
|
| 260 |
|
|
|a London :
|b Bloomsbury Publishing,
|c 2016.
|
| 300 |
|
|
|a 1 online resource (305 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Critical Companions
|
| 588 |
0 |
|
|a Print version record.
|
| 505 |
0 |
|
|a Cover page ; Halftitle page ; Series page ; Title page ; Copyright page ; Dedication ; CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION MODERN VERSE DRAMA IN ENGLAND: THE FORGOTTEN TRADITION; The origins of modern verse drama; Culture of reform; Into oblivion; National Theatre as English theatre; CHAPTER 1 NINETEENTH-CENTURY LEGACIES: SPECTACLE, SONORITY AND ROMANTIC REFORM IN THE THEATRE OF STEPHEN PHILLIPS AND JAMES ELROY FLECKER; Romantics and Victorians: the Shakespearean ideal; Stephen Phillips; James Elroy Flecker's Hassan.
|
| 505 |
8 |
|
|a CHAPTER 2 THE NEW DRAMA: SOCIAL CHALLENGE AND POETIC THEATRE FROM W.B. YEATS TO TERENCE GRAYVerse drama and the theatre of reform at the beginning of the century; Amateur drama; Counter-revolution: the fight against social realism; Celtic Twilight and Yeats; Towards an English Theatre of Beauty; Total art: Terence Gray and the Cambridge Festival Theatre; CHAPTER 3 GEORGIAN REVOLT: JOHN MASEFIELD, SHAKESPEARE AND GORDON BOTTOMLEY'S KING LEAR'S WIFE; Georgian revolt: Laurence Binyon, John Drinkwater, John Masefield and Lascelles Abercrombie; The Shakespearean spectre.
|
| 505 |
8 |
|
|a Gordon Bottomley's King Lear's WifeCHAPTER 4 RELIGIOUS DRAMA: THEATRICAL EXPERIMENTATION AND SPIRITUAL RENEWAL BETWEEN THE WARS; John Masefield's The Coming of Christ; Zeal in the House: Charles Williams and Dorothy L. Sayers; CHAPTER 5 MUSIC, POLITICS AND THE MODERN POET: T.S. ELIOT AND W.H. AUDEN IN THE 1930s; Group Theatre: Politics and collaborative art in the 1930s; Eliot: rhythm, chorus, aria; From page to stage; Murder in the Cathedral: the anxiety of intermediality; Auden: from Brecht to Britten; Dance of Death: collaboration and collectivity; Wistful Poetics: The Ascent of F6.
|
| 505 |
8 |
|
|a A new poetry: Auden and operaCHAPTER 6 RENAISSANCE AND FALSE DAWN: MAINSTREAM SUCCESS ON THE POSTWAR STAGE; Mercury rising: The Old Man of the Mountains and The Shadow Factory; Ronald Duncan: intermedial instincts after the war; This Way to the Tomb; The Cocktail Party; Christopher Fry; Post-war Elizabethan comedy: The Lady's Not for Burning; CHAPTER 7 ANGER AND AFTERMATH: ROYAL COURT, NATIONAL THEATRE AND VERSE DRAMA AFTER 1956; The modern English stage; Aftermath and legacies; Poetic radicalism and the people: John Arden and Margaretta D'Arcy.
|
| 505 |
8 |
|
|a A new stage: Michael Tippett and English verse dramaCHAPTER 8 TRADITION AND TRAJECTORY: VERSE AND DRAMATIC HERITAGE IN CARYL CHURCHILL, STEVEN BERKOFF AND TONY HARRISON; Serious Money: Caryl Churchill's city comedy in verse; Steven Berkoff, Greek drama and the modern Elizabethan aria; Contemporary trends in modern English verse drama; Tony Harrison and the return of the poet; CONCLUSION THE RETURN OF THE KING: KING CHARLES III AND SHAKESPEAREAN POWER AND PASTICHE; King Charles III; NOTES; BIBLIOGRAPHY; INDEX.
|
| 590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
| 650 |
|
0 |
|a Verse drama
|x History and criticism.
|
| 650 |
|
0 |
|a Drama
|y 20th century
|x History and criticism.
|
| 650 |
|
6 |
|a Théâtre en vers
|x Histoire et critique.
|
| 650 |
|
7 |
|a Drama
|2 fast
|
| 650 |
|
7 |
|a Verse drama
|2 fast
|
| 648 |
|
7 |
|a 1900-1999
|2 fast
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
| 700 |
1 |
|
|a Wetmore, Jr., Kevin J.
|
| 700 |
1 |
|
|a Lonergan, Patrick.
|
| 776 |
0 |
8 |
|i Print version:
|a Morra, Irene.
|t Verse Drama in England, 1900-2015 : Art, Modernity and the National Stage.
|d London : Bloomsbury Publishing, ©2016
|z 9781472580139
|
| 830 |
|
0 |
|a Critical Companions.
|
| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4614745
|z Texto completo
|
| 936 |
|
|
|a BATCHLOAD
|
| 938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL4614745
|
| 938 |
|
|
|a YBP Library Services
|b YANK
|n 301612879
|
| 938 |
|
|
|a YBP Library Services
|b YANK
|n 13228139
|
| 938 |
|
|
|a YBP Library Services
|b YANK
|n 13098619
|
| 994 |
|
|
|a 92
|b IZTAP
|
