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Sonic technologies : popular music, digital culture and the creative process /

"Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a ma...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Strachan, Robert (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Bloomsbury Academic, 2017.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Strachan, Robert,  |e author. 
245 1 0 |a Sonic technologies :  |b popular music, digital culture and the creative process /  |c Robert Strachan. 
263 |a 1701 
264 1 |a New York, NY :  |b Bloomsbury Academic,  |c 2017. 
264 4 |c ©2017 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references. 
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505 0 |a Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. 
520 |a "Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations."--  |c Provided by publisher 
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650 0 |a Popular music  |x Philosophy and aesthetics. 
650 0 |a Popular music  |x Production and direction. 
650 0 |a Computer music  |x History and criticism. 
650 0 |a Electronic music  |x History and criticism. 
650 0 |a Digital audio editors. 
650 0 |a Creation (Literary, artistic, etc.) 
650 0 |a Music and technology. 
650 6 |a Musique populaire  |x Philosophie et esthétique. 
650 6 |a Éditeurs audionumériques. 
650 6 |a Musique et technologie. 
650 7 |a Music recording & reproduction.  |2 bicssc 
650 7 |a Technology: general issues.  |2 bicssc 
650 7 |a Theory of music & musicology.  |2 bicssc 
650 7 |a MUSIC  |x Musical Instruments  |x Piano & Keyboard.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Percussion.  |2 bisacsh 
650 7 |a Computer music  |2 fast 
650 7 |a Creation (Literary, artistic, etc.)  |2 fast 
650 7 |a Digital audio editors  |2 fast 
650 7 |a Electronic music  |2 fast 
650 7 |a Music and technology  |2 fast 
650 7 |a Popular music  |x Philosophy and aesthetics  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
758 |i has work:  |a Sonic technologies (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGftH3y6VwMHjPgRgTTmBP  |4 https://id.oclc.org/worldcat/ontology/hasWork 
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