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Environmental sound artists : in their own words /
Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The book presents a current perspective on the movement through a collection of personal writings by important environmental sou...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Oxford University Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bianchi, Frederick W., |e author. | |
| 245 | 1 | 0 | |a Environmental sound artists : |b in their own words / |c Frederick Bianchi, V.J. Manzo. |
| 264 | 1 | |a New York, NY : |b Oxford University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound. | |
| 505 | 8 | |a Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light ; Mapping the Terrain ; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder ; Antarctica: Music from the Ice ; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes. | |
| 505 | 8 | |a Chapter 11: Bridge Music and Tower Music Bridge Music ; Tower Music ; Chapter 12: Data as Music ; Audio Information Design Issues ; Chapter 13: Sonic Landscapes (finding a sense of place with my ears) ; DAY 0: Sidney International Airport-Arrival in a Non-Place. ; DAY 1: Western Riverina-Hearing the Old Birrego School. ; DAY 2: An open field-Listening to the Song of the tree. ; Day 4: The Murrumbidgee River-Mapping the mental soundscape. ; Day 6: A nearby water hole-In search of the "kinda-blue-bird." ; Day 7: The Old Birrego School-The ears warn, the eyes confirm. | |
| 505 | 8 | |a Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection ; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts. | |
| 505 | 8 | |a Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets. | |
| 520 | |a Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The book presents a current perspective on the movement through a collection of personal writings by important environmental sound artists. | ||
| 500 | |a Includes index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 29, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Soundscapes (Music) |x History and criticism. | |
| 650 | 6 | |a Paysages sonores (Musique) |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Soundscapes (Music) |2 fast | |
| 650 | 7 | |a Klangkunst |2 gnd | |
| 650 | 7 | |a Klangobjekt |2 gnd | |
| 650 | 7 | |a Umland |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Manzo, V. J., |e author. | |
| 758 | |i has work: |a Environmental sound artists (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH6Qr86wjb3FQhYtY7VV4q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Bianchi, Frederick W. |t Environmental sound artists. |d New York, NY : Oxford University Press, [2016] |z 9780190234614 |z 019023461X |w (DLC) 2015040788 |w (OCoLC)927241594 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4545321 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32984151 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4545321 | ||
| 938 | |a EBSCOhost |b EBSC |n 1244392 | ||
| 938 | |a YBP Library Services |b YANK |n 13067873 | ||
| 994 | |a 92 |b IZTAP | ||