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|a UAMI
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|a Grant, Paul Douglas.
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|a Cin?ema Militant.
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|a New York, UNITED STATES :
|b Columbia University Press,
|c 2016.
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|a 1 online resource (233)
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|a text
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|a NONE
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|a Print version record.
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|a Table of Contents ; Acknowledgments; List of Abbreviations; Introduction; 1. Wildcat Strikes and Wildcat Cinema in May '68: ARC; 2. Jean-Pierre Thorn: "No investigation, no right to speak" ; 3. Cinélutte: "Tout ce qui bouge est rouge" ; 4. Les groupes Medvedkine: Before and After Chris Marker ; 5. Of Theory and Peasants: Groupe Cinéthique ; Conclusion ; Notes ; Filmography; Bibliography; Index.
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|a This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and.
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|a Includes bibliographical references and index.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Motion pictures
|x Political aspects
|z France.
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|a Motion pictures
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|x History.
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|a Cinéma
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|a Cinéma
|x Aspect politique
|z France.
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|a Motion pictures
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|a Motion pictures
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|a France
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|1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP
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|a History
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|i Print version:
|a Grant, Paul Douglas.
|t Cinéma Militant : Political Filmmaking and May 1968.
|d New York : Columbia University Press, ©2016
|z 9780231176675
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|a NONE.
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4528381
|z Texto completo
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938 |
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