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The Marriage Plot : Or, How Jews Fell in Love with Love, and with Literature.

For nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Seidman, Naomi
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Palo Alto : Stanford University Press, 2016.
Colección:Stanford Studies in Jewish History and C.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Marriage Plot :  |b Or, How Jews Fell in Love with Love, and with Literature. 
260 |a Palo Alto :  |b Stanford University Press,  |c 2016. 
300 |a 1 online resource (368 pages) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Stanford Studies in Jewish History and C 
588 0 |a Print version record. 
505 0 |a Intro; Contents; Acknowledgments; Introduction: Plotting Jewish Marriage; 1. A Sentimental Education; 2. Matchmaking and Modernity; 3. Pride and Pedigree; 4. The Choreography of Courtship; 5. In-Laws and Outlaws; 6. Sex and Segregation; Afterword: After Marriage; Notes; Index. 
520 |a For nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions, the Jewish embrace of "the love religion" was always partial. In The Marriage Plot, Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education, highlighting a persistent ambivalence in the Jewish adoption of European romantic ideologies. Nineteenth-century Hebrew and Yiddish literature tempered romantic love with the claims of family and community, and treated the rules of gender complementarity as comedic fodder. Twentieth-century Jewish writers turned back to tradition, finding pleasures in matchmaking, intergenerational ties, and sexual segregation. In the modern Jewish voices of Sigmund Freud, Erica Jong, Philip Roth, and Tony Kushner, the Jewish heretical challenge to the European romantic sublime has become the central sexual ideology of our time 
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650 0 |a Jewish literature  |y 20th century  |x History and criticism. 
650 0 |a Jewish literature  |y 19th century  |x History and criticism. 
650 0 |a Jewish marriage customs and rites  |x History. 
650 0 |a Marriage customs and rites in literature. 
650 0 |a Love in literature. 
650 0 |a Sex in literature. 
650 6 |a Littérature juive  |y 20e siècle  |x Histoire et critique. 
650 6 |a Littérature juive  |y 19e siècle  |x Histoire et critique. 
650 6 |a Mariage  |x Rites et cérémonies juifs  |x Histoire. 
650 6 |a Amour dans la littérature. 
650 6 |a Sexualité dans la littérature. 
650 7 |a Jewish literature  |2 fast 
650 7 |a Jewish marriage customs and rites  |2 fast 
650 7 |a Love in literature  |2 fast 
650 7 |a Marriage customs and rites in literature  |2 fast 
650 7 |a Sex in literature  |2 fast 
648 7 |a 1800-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
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776 0 8 |i Print version:  |a Seidman, Naomi.  |t Marriage Plot : Or, How Jews Fell in Love with Love, and with Literature.  |d Palo Alto : Stanford University Press, ©2016  |z 9780804798433 
830 0 |a Stanford Studies in Jewish History and C. 
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