Cargando…
The Theoretical-Practical Elements of Music, Parts III and IV.
A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758- 1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a trea...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore :
University of Illinois Press,
2014.
|
| Colección: | Studies in the history of music theory and literature.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Title Page; Copyright Page; CONTENTS; PREFACE; INTRODUCTION; Part I: The Life of Francesco Galezaai; Part II: The Theoretical-Practical Elements of Music; Appendix: Writings and Compositions by Francesco Galeazzi; THEORETICAL-PRACTICAL ELEMENTS OF MUSIC; Preface; Part III: Theory of the Principles of Ancient and Modern Music; Article I: Principles of Ancient and Modern Music; Article II: Greek Music Theory; Article III: Diatonic Genus; Article IV: Chromatic and Enharmonic Genera; Article V: Guido d'Arezzo; Article VI: Notation and Clefs; Article VII: Note Shapes and Mensuration.
- Article VIII: AccidentalsArticle IX: Solfege; Article X: Plainsong Modes; Article XI: Keys; Appendix: Part I, Article XI: Keys; Part IV: On the Elements of Counterpoint Section 1: On Harmony; Article I: Intervals and Inversions; Article II: Physical Harmonic Phenomenon; Article III: Consonant and Dissonant Intervals; Article IV: Fundamental Bass; Article V: Cadences; Article VI: Chord Inversions; Article VII: Ascending Scale and Harmonic Connection; Article VIII: Descending Scale; Article IX: Compositional Styles; Article X: Musical Motions and Strict Counterpoint.
- Article XI: One or Two Notes against OneArticle XII: Four Notes against One; Article XIII: Suspensions; Article XIV: Florid Counterpoint; Article XV: Harmony in Minor Keys; Article XVI: Florid Counterpoint with Modulations; Article XVII: Imitation; Article XVIII: Three Parts; Article XIX: Four Parts and Text Setting; Article XX: Double Counterpoint; Article XXI: Canon; Article XXII: Fugue; Part IV: On the Elements of Counterpoint Section 2: On Melody; Article I: Writing Music; Article II: Facilitating Inspiration; Article III: Melody and Its Members; Article IV: Modulation.
- Article V: Pure Vocal StyleArticle VI: Pure Instrumental Style; Article VII: Mixed Style and Orchestration; Article VIII: Scores and Instruments; WORKS CITED; INDEX.