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BEYOND THE FRAME : Case studies.
In literature and visual sources, secluded parks, cabinets, bourgeois homes, döppelgänger that function as a second skin and interior spaces in the guise of art or artifice reveal a rich and complex imagery. These expose a dweller / subject that is driven by authenticity and embodies a radical pan...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Brussels :
ASP,
2016.
©2016 |
| Colección: | Iconologies.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Contents; Acknowledgements; Introduction and general outline; The spectator and his space; The Forgotten Case of Jules Romains; The economy of the interior; The immediate consciousness. The spectator as an instance of narrative coherence; Gazes under the spectator's skin. Blank spots in the self; Self-projections as subtexts from beyond the frame; The double/interior. A discourse on representation; Mirroring the spectator beyond the frame; Abbreviations; Primary Sources; List of illustrations; 1 The paradox of the panoptic spectator; 2 The cabinet as a paradigmatic interior space.
- 3 The hidden subjectivity of representation and the beholder beyond the frame4 Undermining the Vorstellung. Towards the spatial dissolution of the subject and the claustrophobic interior; 5 The invasion of the skin; 6 The imagery of the interior space as a discourse on representation; 7 The double/interior as a discourse on subjectivity and representation; 1 The invisible panoptic spectator; 2 The invisible spectator in his eternal present; 3 Towards the fragmentation of the spectator; 1 Introduction; 2 The spatial paradox of the unanime; 3 A balance against the exterior.
- 4 The invasion of the skin/interior1 The spectator beyond. The interior as a cultural subtext; 2 The interior as an eternal present; 3 From objects to exhibitional spaces. The evolution of the cabinet; 4 Mme de Sévigné. Notions of voyeurism and partial vision; 5 'Remove that place from your mind.' Spatialized sentiments; 6 Conclusion; 1 Introduction. Representation and the consciousness; 2 Jerome Nadal's; 3 The Cartesian model; 4 The downfall of the spectator in modernism. The subjectivity of the mental image in Adalbert Stifter; 5 Stifter's modernism.
- 6 The break-u p of representational space7 The subject dissolving into space. The void as an anti-interior; 1 The invasion of the subject's skin; 2 From the audacious dom Cleofas and Madeleine de Scudery's eavesdropping gardens to Döblin's; 3 Flucht in die Finsternis; 1 Anton Reiser; 2 Der Sandmann; 3 Towards a hermeneutics of the interior; 4 The double; 1 Snapshots of absence. Atget's Paris; 2 Corporeal transgression and the uncanny; 3 Heimlich/Unheimlich; 4 Solipsism, projection and the objectification of vision; 5 The double as an agent of existential anemia.