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At the end of the street in the shadow : Orson Welles and the city /
The films of Orson Welles inhabit the spaces of cities--from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for p...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Wallflower Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Table of Contents ; Acknowledgements; Introduction; Prelude. A Nuisance in a Factory: Hollywood: 1939-48, 1956-58; Welles's U.S.A; 1. The Decline and Fall of the Lincoln Republic; 2. An Empire Upon an Empire: Citizen Kane (1941); 3. The Darkening Midland: The Magnificent Ambersons (1942); Pan-America; 4. Darkness and Fear: The Early Anti-fascist Thrillers; 5. The Raucous Raggle-Taggle Jamboree of the Streets: It's All True (unfinished, 1942); 6. Ratline to Main Street: The Stranger (1946); 7. Port to Port: The Lady from Shanghai (1947); 8. The Border: Touch of Evil (1958)
- 9. Return to the Periphery: The Other Man (unproduced, 1977)Interlude. A Free Man Is Everywhere: Europe & Beyond: 1947-55, 1958-85; Postwar Europe; 10. Skies and Rubblescape: Mr. Arkadin/Confidential Report (1955); 11. Lost in a Labyrinth: The Trial (1962); Immortal Stories; 12. To Adore the Impossible; 13. In the Land of Don Quixote; Index