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|a PN1998.3.W45
|b G43 2016
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|a AP 51380
|2 rvk
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|a UAMI
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100 |
1 |
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|a Gear, Matthew Asprey,
|e author.
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245 |
1 |
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|a At the end of the street in the shadow :
|b Orson Welles and the city /
|c Matthew Asprey Gear.
|
264 |
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1 |
|a London :
|b Wallflower Press,
|c 2016.
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300 |
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
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|b PDF
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|a Online resource; title from PDF title page (EBSCO, viewed July 5, 2016).
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|a Includes bibliographical references and index.
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|a The films of Orson Welles inhabit the spaces of cities--from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities--the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars.
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|a In English.
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|a Table of Contents ; Acknowledgements; Introduction; Prelude. A Nuisance in a Factory: Hollywood: 1939-48, 1956-58; Welles's U.S.A; 1. The Decline and Fall of the Lincoln Republic; 2. An Empire Upon an Empire: Citizen Kane (1941); 3. The Darkening Midland: The Magnificent Ambersons (1942); Pan-America; 4. Darkness and Fear: The Early Anti-fascist Thrillers; 5. The Raucous Raggle-Taggle Jamboree of the Streets: It's All True (unfinished, 1942); 6. Ratline to Main Street: The Stranger (1946); 7. Port to Port: The Lady from Shanghai (1947); 8. The Border: Touch of Evil (1958)
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|a 9. Return to the Periphery: The Other Man (unproduced, 1977)Interlude. A Free Man Is Everywhere: Europe & Beyond: 1947-55, 1958-85; Postwar Europe; 10. Skies and Rubblescape: Mr. Arkadin/Confidential Report (1955); 11. Lost in a Labyrinth: The Trial (1962); Immortal Stories; 12. To Adore the Impossible; 13. In the Land of Don Quixote; Index
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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600 |
1 |
0 |
|a Welles, Orson,
|d 1915-1985
|x Criticism and interpretation.
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600 |
1 |
0 |
|a Welles, Orson,
|d 1915-1985
|x Themes, motives.
|
600 |
1 |
7 |
|a Welles, Orson,
|d 1915-1985
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtGWCccwrHHDPr6K7tYfq
|
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1 |
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|a Welles, Orson
|d 1915-1985
|2 gnd
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|a Cities and towns in motion pictures.
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650 |
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|a Villes au cinéma.
|
650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|
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|a Cities and towns in motion pictures
|2 fast
|
650 |
|
7 |
|a Themes, motives
|2 fast
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|a Film
|2 gnd
|
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|
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|a Stadt
|g Motiv
|2 gnd
|
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|
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|a Criticism, interpretation, etc.
|2 fast
|
758 |
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|i has work:
|a At the end of the street in the shadow (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH7MRgCqTp8chYFMtpDykC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
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|i Print version:
|z 9780231850902
|
856 |
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0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4454806
|z Texto completo
|
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|a EBSCOhost
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|a Recorded Books, LLC
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|b YANK
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