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Hölderlin's Hymns "Germania" and "The Rhine" /
Martin Heidegger's 1934-1935 lectures on Friedrich Hölderlin's hymns 2Germania3 and 2The Rhine3 are considered the most significant among Heidegger's lectures on Hölderlin. Coming at a crucial time in his career, the text illustrates Heidegger's turn toward language, art, and p...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Bloomington :
Indiana University Press,
2014.
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| Colección: | Studies in Continental thought.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- CONTENTS
- Translators' Foreword
- Preliminary Remark
- INTRODUCTION
- 1. Outline of the Beginning, Manner of Proceeding, and Approach of the Lecture Course
- a) Concerning the Nature of Our Beginning. Commencement and Beginning
- b) Concerning Our Manner of Proceeding in General. Poetizing and Thinking
- c) Concerning Our Particular Approach. The Poetic Dasein of the Poet
- PART ONE: "GERMANIA"
- Chapter One: Preparatory Reflection: Poetry and Language
- 2. Provisional Path of Approach to the Poem as a Piece of Text
- a) The Overarching Resonance of the Telling as Origin for the Choice and Positioning of Words
- b) 'Content and Form' of the Poem, 'Depiction in Images'
- c) Hölderlin's 'Worldview'
- 3. Entering the Domain in Which Poetry Unfolds Its Power
- a) The Prevailing of Poetry in the Dasein of the Peoples
- b) Working Our Way through the Poem as a Struggle with Ourselves
- c) Two Textual Questions
- 4. Concerning the Essence of Poetry
- a) The Commonplace Conception of Poetry as an Outward Manifestation of Lived Experiences
- b) The Provenance of the Word Dichten, to 'Poetize'
- c) Poetizing as Telling in the Manner of a Making Manifest That Points
- d) Poetizing as Receiving the Beckonings of the Gods and Passing Them on to the People
- e) Everyday Appearance and the Being of Poetry
- f) Poetry Not as Merit, but Exposure to Beyng
- g) Poetic and Thoughtful Telling
- 5. The Question Concerning the 'We' in the Turbulence of the Dialogue
- a) The 'I' in Refusal of the Gods of Old
- b) The 'We, ' the Man, and the Eagle. The Speaking of Language
- c) The Beginnings of the Strophes
- d) The Relation of Today's Human Being to the Greeks and Their Gods
- e) The Question 'Who Are We?'
- 6. Determining the 'We' from out of the Horizon of the Question of Time.
- A) The Calculable Time of the Individual and the Originary Time of the Peoples
- b) The Historical Time of the Peoples as the Time of the Creators
- c) A Textual Question: Different Versions of "Patmos"
- d) Two Concepts of Eternity
- e) The Time That Is Essentially Long
- f) The Creators' Knowing When It Is Not the Time for the True to Come to Pass
- g) The Distinction between the Question What We Are and the Question Who We Are
- h) Partaking in the Poetry
- 7. The Linguistic Character of Poetry
- a) Language as the Most Dangerous of Goods
- b) The Decline of Language. The Essence and Corrupted Essence of Language
- c) Language and the Human Being's Fundamental Orientations toward Beings as a Whole
- d) Language as the Human Being's Protection against the God
- e) Poetizing and Language as Configuring the Ground of Historical Dasein
- f) The Being of the Human Being as Dialogue. Being Able to Hear and Speaking
- g) Being Exposed to Beings, the Individual and the Community
- h) Summary
- i) The Absence of Language in the Animal and in 'Nature'
- j) Poetizing and Language in Their Originary Belonging to the History of the Human Being
- Chapter Two: The Fundamental Attunement of Poetizing and the Historicality of Dasein
- 8. Unfolding the Fundamental Attunement
- a) The Provenance of Poetic Telling from out of the Fundamental Attunement
- b) Renouncing Calling the Gods of Old as Sustaining a Conflict. The Fundamental Attunement of Mourning and Its Three Aspects
- c) The Fundamental Attunement and the Holy. A Threefold Sheer Disinterestedness
- d) A Holy Mourning 'with' the Homeland as the Power of the Earth
- e) The Transposition of the Human Being Together with Beings into Attunement
- f) The Fundamental Attunement as a Mourning with the Rivers of the Earth of the Homeland.
- G) The Opening Power of the Fundamental Attunement. Preserving the Divinity of the Old Gods While Mournfully Renouncing Them
- h) The Essentially Lawful Sequence of Decline Belonging to a Historical Dasein within the Need of the Absence of the Gods
- i) The Enduring of Abandonment by Those Who Doubt
- j) The Completion of the Prevailing Fundamental Attunement into Its Full Essence: The Distress of Holy Mourning as Readiness
- 9. Historical Time and Fundamental Attunement
- a) The Experience of the Earth of the Homeland in the Lucidity of a Questioning Knowing Concerning the Historical Mission of a People
- b) Provenance of the Pivotal Times of the Peoples from out of the Abyss
- c) Primordial Movedness of Fundamental Attunement. Having-Been and Past
- d) Temporalizing of Originary Time as the Fundamental Occurrence of the Fundamental Attunement
- e) The Decision in Favor of the Authentic Time of Poetizing as a Decision to Enter into the Fundamental Attunement
- 10. The Locale of Dasein Founded in "Germania" within the Horizon of the Heraclitean Thought
- a) The Poetic Telling of the Fundamental Attunement from a Standing within and Sustaining of Essential Conflicts
- Ü) The Nexus of Occurrence of the Images and the Attuning Power of the Fundamental Attunement
- Ý) Fundamental Attunement and "Intimacy." The Preserving Veiling of the Fundamental Attunement through the Nexus of Images of the Poetizing
- b) The Locale of Dasein Founded in "Germania"
- Ü) The "Fatherland" as the Historical Beyng of a People
- Ý) The Decline of the Fatherland as the Emergence of a New Unity of Nature and Humans
- c) On Hölderlin's Understanding of Being. The Power of the Heraclitean Thought
- Ü) Holderlin and Heraclitus
- Ý) Holderlin and Hegel.
- D) Founding of the Need Pertaining to a New Commencement of Our Historical Dasein within the Metaphysical Need of the Western World
- 11. Transitional Overview and Summary: Revisiting the Domains Opened Up Thus Far as a Way of Determining More Precisely the Intent of the Lecture Course
- a) The Four Essential Components of the Fundamental Attunement
- b) Fundamental Attunement as Exposure in the Midst of Beings That Are Manifest as a Whole
- c) Fundamental Attunement as Truth of a People. The Three Creative Forces of Historical Dasein
- d) Historical and Historiographical Truth
- e) Awakening the Fundamental Attunement as a Founding of Futural Historical Beyng
- f) The Conflict of Mourning and Joy within the Fundamental Attunement
- g) Entering into the Sphere of the River Poems. Transition from "Germania" to "The Rhine"
- PART TWO: "THE RHINE"
- Transitional Remark: The Question Concerning What Is 'Innermost' in a Poetic Work as a Question of the Opening Up and Founding of Beyng in the Each Time New Prevailing of Its Fundamental Attunement
- Chapter One: The Demigods as Mediating Middle between Gods and Humans. The Fundamental Attunement of the Poem. The Beyng of the Demigods and the Calling of the Poet
- 12. Thinking the Essence of the Demigods in the Founding Projection of the Poet
- a) The Distinction between Humans and Gods Opened Up in the Question Concerning the Essence of the Demigods as Founding a Realm of Beyng in General
- b) The Poet's Being Compelled to Think the Demigods at the Threshold of the Homeland as a Being Enjoined Back into Historical Dasein
- c) Destiny as the Fundamental Word of the Poem. A Preparatory Discussion of Destiny as the Beyng of the Demigods
- d) The Founding and Grounding of Beyng out of the Fundamental Attunement of Suffering-with the Suffering of the Demigods.
- 13. Strophe I: The Point of Departure for the Telling, and the Composure through Which It Is Experienced. The Apprehending of a Destiny
- a) Dionysos as Witness of Divine and Human Beyng
- b) The Nearness of the Alpine Range as Nearness of the Origin
- 14. Strophes II and III: The River Rhine as Destiny. Hearing Its Origin and Assuming Its Vocation
- a) On the Distinction between a Poetic Understanding of Nature and the Scientific Representation of Nature
- b) Strophe II: Hearing the Origin
- Ü) Customary Ways of Hearing. The Gods' Hearing with Pity and Mortals' Not Wanting to Hear
- Ý) The Poet's Hearing That Stands Firm (Suffering) as Apprehending the Originary Origin in Its Springing Forth
- c) Strophe III: Origin, Self-Will, Destiny. Assuming One's Vocation
- Ü) The Appropriation of Its Authentic Beyng in the Turning of the River's Direction
- Ý) The Blindness of the Demigods as Excess of Vocation
- Þ) The Demigods' Lack from out of Abundance
- Chapter Two: A More Incisive Review. Poetizing and Historical Dasein
- 15. The Task of the Lecture Course: Entering the Domain in Which Poetry Unfolds Its Power, and the Opening Up of Its Actuality
- a) Founding the Essence of Poetizing and Grounding Dasein upon It. Poetizing as the Primordial Language of a People
- b) Hölderlin as the Poet of Future German Beyng
- 16. The Fundamental Approach in Which Our Interpretation Moves, Taking "Germania" as Our Point of Departure
- a) The Essence of Fundamental Attunement. The Thinking and Pondering of the Man in "Germania" as Configured in the Poetic Work "The Rhine"
- b) The Thinking of the Demigods
- 17. The Interpretation in Detail. The River Rhine as Demigod
- a) Strophe I: Reference to Dionysos. The Alps. Strophe II: The River Rhine in Its Origin
- b) Strophe III: The Demigods as the Blindest. The Lack of the Demigods.