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The Ends of Satire : Legacies of Satire in Postwar German Writing /
"How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy thes...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin/Boston :
De Gruyter,
[2015]
|
| Colección: | Paradigms ;
2. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bowles, Daniel, |e author. | |
| 245 | 1 | 4 | |a The Ends of Satire : |b Legacies of Satire in Postwar German Writing / |c Daniel Bowles. |
| 264 | 1 | |a Berlin/Boston : |b De Gruyter, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (vii, 231 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Paradigms ; |v 2 | |
| 545 | |a Daniel Bowles, Boston College, Massachusetts, USA. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ACM, viewed April 03 2015). | |
| 505 | 0 | |a Acknowledgments -- Introduction: Satire around 1800: Jean Paul -- Prolegomena -- The case of Jean Paul: unreadable writing, unwritable readings 16 -- Part One: Inversion -- The carnivalesque in Mikhail Bakhtin's Rabelais and his World (1965) -- Perspective and repetition in Thomas Bernhard's Woodcutters (1984) -- Destructive negativity: Thomas Bernhard and Extinction (1986) -- Part Two: Mythification -- Between theory and literature: Roland Barthes' Mythologies (1957) -- Elfriede Jelinek's Mythic Lust (1989) -- Viennese paradigms in Elfriede Jelinek's The Piano Teacher (1983) -- Part Three: Citation -- From stage to page: Judith Butler and Gender Trouble (1990) -- Performing theory in literature: Thomas Meinecke's Tomboy (1998) -- Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004) -- Conclusion: Satire after Satire. | |
| 520 | 2 | |a "How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory."-- |c Provided by publisher | |
| 504 | |a Includes bibliographical references (pages 217-226) and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a German literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Satire, German |x History and criticism. | |
| 650 | 6 | |a Littérature allemande |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM / European / German. |2 bisacsh | |
| 650 | 7 | |a German literature |2 fast | |
| 650 | 7 | |a Satire, German |2 fast | |
| 650 | 7 | |a Tysk satir |x historia. |2 sao | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a The ends of satire (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGhbhgc6M4YvFGrPCXmtyq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Bowles, Daniel. |t Ends of Satire : Legacies of Satire in Postwar German Writing. |d Berlin/Boston : De Gruyter, ©2015 |z 9783110359350 |
| 830 | 0 | |a Paradigms ; |v 2. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1663155 |z Texto completo |
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