Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 /

Mostrar otras versiones (2)

"Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantia...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Titus, Barbara, 1973- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leuven, Belgium : Leuven University Press, [2016]
Temas:
Vischer, Friedrich Theodor, > 1807-1887.
Vischer, Friedrich Theodor, > 1807-1887
Music > Philosophy and aesthetics.
Music > History and criticism.
Musique > Philosophie et esthétique.
Musique > Histoire et critique.
MUSIC > Instruction & Study > Theory.
Music
Music > Philosophy and aesthetics
Deutschland
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part I. The hegemony of idealist philosophy
  • Thinking about art
  • Thinking about music
  • Part II. Between subjectivity and objectivity
  • The bird among the arts
  • The end of art
  • Part III. Case studies
  • Musical forms as 'Spiritualized material': Repositioning Eduard Hanslick
  • Programme music: Franz Liszt's negotiation of Hegelian aesthetics
  • Furthering a 'new form of consciousness': Franz Brendel's concept of a New German School
  • The advance of musical scholarship
  • Epilogue: Deconceptualizing music/ology
  • Appendix I. Hegelian glossary
  • Appendix II. Editions and translations
  • Appendix III. Manuscript sources
  • Appendix IV. Music criticism and idealist discourse
  • Appendix: References to Vischer in music periodicals and treatises.

Ejemplares similares