Industry and intelligence : contemporary art since 1820 /

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The history of modern art is often told through aesthetic breakthroughs that sync well with profound cultural and political change. Monet's riotous landscapes, Picasso's fractured forms, Pollock's insolent splatters, Warhol's proliferating soup cans, these examples track with the...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Gillick, Liam, 1964- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: New York : Columbia University Press, [2016]
Collection:Bampton lectures in America.
Sujets:
Art, Modern > Themes, motives.
Art and society.
Art et société.
ART > Criticism & Theory.
ART > History > General.
Art and society
Art, Modern > Themes, motives
Accès en ligne:Texto completo
Table des matières:
  • Contemporary art does not account for that which is taking place
  • Projection and parallelism
  • Art as a pile : split and fragmented simultaneously
  • 1820 : Erasmus and upheaval
  • ASAP futures, not infinite future
  • 1948 : B.F. Skinner and counter-revolution
  • Abstract
  • 1963 : Herman Kahn and projection
  • The complete curator
  • Maybe it would be better if we worked in groups of three?
  • The return of the border
  • 1974 : Volvo and the mise-en-scène
  • The experimental factory
  • Nostalgia for the group
  • Why work?

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