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Humour and irony in Dutch post-war fiction film /
If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2016.
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| Colección: | Framing film (Amsterdam, Netherlands)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Verstraten, Peter, |e author. | |
| 245 | 1 | 0 | |a Humour and irony in Dutch post-war fiction film / |c Peter Verstraten. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2016. | |
| 300 | |a 1 online resource (410 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Framing film | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 3 | |a If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies; neurotic romances; deliberate camp; cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo; Spetters and Simon; Rent a Friend and Ober; De verloedering van de Swieps and Borgman; Black Out and Plan C. | |
| 505 | 0 | |a Preface; Introduction; 1. Low-Class Comedies; 2. Multicultural Comedies; 3. From 'Kind-hearted' Comedies to Neurotic Romances; 4. Deliberate Camp; 5. Humour as an Aftermath Effect; 6. Homosocial Jokes; 7. From Ludic Humour to Cosmic Irony; 8. From Insubordinate Playfulness to Subversive Irony; 9. From Grotesque Caricature to Grotesque Satire; Conclusion. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 546 | |a English. | ||
| 506 | 0 | |a Open Access |5 EbpS | |
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| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Motion pictures |z Netherlands |x History |y 20th century. | |
| 650 | 0 | |a Wit and humor in motion pictures. | |
| 650 | 6 | |a Humour au cinéma. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Wit and humor in motion pictures |2 fast | |
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| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Dutch cinema | ||
| 653 | |a Grotesque | ||
| 653 | |a Humour | ||
| 653 | |a Irony | ||
| 653 | |a Postwar fiction films | ||
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| 758 | |i has work: |a Humour and irony in Dutch post-war fiction film (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGTTJ8x4vcm8VB4j9G7Vfq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 830 | 0 | |a Framing film (Amsterdam, Netherlands) | |
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