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Eternity & oranges /
"We'd not slept in days, or else we were/ still sleeping--who could tell?" someone asks in the opening poem of Eternity & Oranges. The voices we encounter in this book speak on the verge of disappearance, from places marked by disintegration and terror. Christopher Bakken's p...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Pittsburgh, Pa. :
University of Pittsburgh Press,
[2016]
©2016 |
| Colección: | Pitt poetry series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 520 | |a "We'd not slept in days, or else we were/ still sleeping--who could tell?" someone asks in the opening poem of Eternity & Oranges. The voices we encounter in this book speak on the verge of disappearance, from places marked by disintegration and terror. Christopher Bakken's poems are acts of conjuring. They move from the real political landscapes of Greece, Italy, and Romania, into more surreal spaces where history comes alive and the summoned dead speak. In the formally diverse long poem, "Kouros/Kore," but also in this book's terse and harrowing dream songs, Bakken writes with devastating force, at every turn "Guilty of the crime of praise" while "begging for an antidote to beauty." | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Contents; Aubade; Interior with a Closed Notebook; Impressions of a Drowning Man; Thyrsus; Report from the Office of Optical Illusions; Denial; Translation; Resistance; 17.ix.07; Sentence; Some Things along Strada C.A. Rosetti; Confession; Myth; Possession, Macedonia; Appeal; Last Station of No One's Cross; Still Life; Amphitheater; Exterior with Knife and Net; Kouros/Kore; Altar; Elegy; A Poem Not Written by Yannis Ritsos on the Day of My Birth; Squid Fishing; The Skyros Papers; Troppo Mare; Stake; Recessional; Defiance; Interior with a Bowl of Matches; Notes; Acknowledgments. | |
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