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Lee Friedlander : the little screens /
Lee Friedlander's 'The Little Screens' first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels acro...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Afterall Books,
2015.
|
| Colección: | One work.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Anton, Saul, |e author. | |
| 245 | 1 | 0 | |a Lee Friedlander : |b the little screens / |c Saul Anton. |
| 246 | 3 | 0 | |a Little screens |
| 264 | 1 | |a London : |b Afterall Books, |c 2015. | |
| 264 | 2 | |a Cambridge, Massachusetts : |b The MIT Press | |
| 300 | |a 1 online resource (95 pages) : |b illustrations | ||
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed March 7, 2016). | |
| 520 | 8 | |a Lee Friedlander's 'The Little Screens' first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's 'The Americans', 'The Little Screens' grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco. Friedlander (b. 1934) is known for his use of surfaces and reflections--from storefront windows to landscapes viewed through car windshields -- to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium. In this astute study, Saul Anton argues that The Little Screens marked the historical intersection of modern art and photography at the moment when television came into its own as the dominant medium of mass culture. | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a 1. The Family Hearth; 2. Faces and Screens; 3. Picture and Apparatus; 4. Photo-Book-Archive; 5. Story of the Eye; 6. Death and Sex, Endlessly; Endnotes; Other titles in the One Work series | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Friedlander, Lee |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Friedlander, Lee |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJc3BFXp3CcdQF8j8Pp773 |
| 650 | 0 | |a Photography, Artistic. | |
| 650 | 6 | |a Photographie artistique. | |
| 650 | 7 | |a art photography. |2 aat | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Photography. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Reference. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Imaging Systems. |2 bisacsh | |
| 650 | 7 | |a Photography, Artistic |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | 2 | |a Friedlander, Lee. |t Little screens. |
| 776 | 0 | 8 | |i Print version: |a Anton, Saul. |t Lee Friedlander. |d London : Afterall Books, 2015 |z 9781846381584 |z 1846381584 |w (OCoLC)917377218 |
| 830 | 0 | |a One work. | |
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