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Postmodern plagiarisms : cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) /

Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary theory, and the complex process of its subversive vio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Horn, Mirjam (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berlin ; Boston : De Gruyter Mouton, [2015]
Colección:Buchreihe der Anglia ; 49.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Postmodern plagiarisms :  |b cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) /  |c Mirjam Horn. 
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504 |a Includes bibliographical references (pages 248-282) and index. 
505 0 |a Introducing plagiarism beyond illegitimate plunder -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts. 
588 0 |a Print version record. 
520 |a Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary theory, and the complex process of its subversive violation. As a consequence, literary plagiarism is seen as a cultural litmus test for the dynamic notions of authorship, originality, and creativity. 
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650 0 |a American literature  |y 21st century  |x History and criticism. 
650 0 |a Plagiarism  |z United States  |x History  |y 20th century. 
650 0 |a Plagiarism  |z United States  |x History  |y 21st century. 
650 0 |a Imitation in literature. 
650 6 |a Littérature américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Littérature américaine  |y 21e siècle  |x Histoire et critique. 
650 6 |a Plagiat  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Plagiat  |z États-Unis  |x Histoire  |y 21e siècle. 
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776 0 8 |i Print version:  |a Horn, Mirjam.  |t Postmodern Plagiarisms : Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010).  |d Berlin/Boston : De Gruyter, ©2015  |z 9783110378955 
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