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|a 810.9/0054
|2 23
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|a UAMI
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100 |
1 |
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|a Horn, Mirjam,
|e author.
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245 |
1 |
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|a Postmodern plagiarisms :
|b cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) /
|c Mirjam Horn.
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264 |
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1 |
|a Berlin ;
|a Boston :
|b De Gruyter Mouton,
|c [2015]
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300 |
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|a 1 online resource (vi, 286 pages) :
|b color illustrations
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336 |
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|a text
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|a computer
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490 |
1 |
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|a Anglia book series,
|x 0340-5435 ;
|v 49
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|a Includes bibliographical references (pages 248-282) and index.
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|a Introducing plagiarism beyond illegitimate plunder -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.
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|a Print version record.
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|a Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary theory, and the complex process of its subversive violation. As a consequence, literary plagiarism is seen as a cultural litmus test for the dynamic notions of authorship, originality, and creativity.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
|
0 |
|a American literature
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a American literature
|y 21st century
|x History and criticism.
|
650 |
|
0 |
|a Plagiarism
|z United States
|x History
|y 20th century.
|
650 |
|
0 |
|a Plagiarism
|z United States
|x History
|y 21st century.
|
650 |
|
0 |
|a Imitation in literature.
|
650 |
|
6 |
|a Littérature américaine
|y 20e siècle
|x Histoire et critique.
|
650 |
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6 |
|a Littérature américaine
|y 21e siècle
|x Histoire et critique.
|
650 |
|
6 |
|a Plagiat
|z États-Unis
|x Histoire
|y 20e siècle.
|
650 |
|
6 |
|a Plagiat
|z États-Unis
|x Histoire
|y 21e siècle.
|
650 |
|
6 |
|a Imitation (Littérature)
|
650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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|a American literature
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650 |
|
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|a Imitation in literature
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|
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|a Plagiarism
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|
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|a United States
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|a Plagiat
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|a Schriftsteller
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|a Literatur
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|a 1900-2099
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655 |
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|a Criticism, interpretation, etc.
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|a History
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0 |
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|i Print version:
|a Horn, Mirjam.
|t Postmodern Plagiarisms : Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010).
|d Berlin/Boston : De Gruyter, ©2015
|z 9783110378955
|
830 |
|
0 |
|a Buchreihe der Anglia ;
|v 49.
|
856 |
4 |
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|z Texto completo
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