A companion to Russian cinema /

'A Companion to Russian Cinema' provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Beumers, Birgit (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chichester, West Sussex, UK ; Malden, MA, USA : John Wiley & Sons, Inc., 2016.
Colección:Wiley Blackwell companions to national cinemas
Temas:
Motion pictures > Soviet Union > History and criticism.
Motion pictures > Russia (Federation) > History and criticism.
Cinéma > URSS > Histoire et critique.
PERFORMING ARTS > Reference.
Motion pictures
20th century, c 1900 to c 1999.
Cinema, TV & Radio industries.
Film history, theory & criticism.
Films, cinema.
Russia.
Performing Arts.
Russia (Federation)
Soviet Union
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • Structures of production, formation and exhibition. The film palaces of Nevsky prospect: a history of St. Petersburg's cinemas, 1900-1910 / Anna Kovalova
  • (V)gik and the history of film education in the Soviet Union, 1920s-1930s / Masha Salazkina
  • Lenfilm: the birth and death of an institutional aesthetic / Robert Bird
  • The adventures of the kulturfilm in Soviet Russia / Oksana Sarkisova
  • Soiuzdetfilm: the birth of Soviet children's film and the child actor / Jeremy Hicks
  • For the state or for the audience? auteurism, genre and global markets. The Stalinist musical: socialist realism and revolutionary romanticism / Richard Taylor
  • Soviet film comedy of the 1950s and 1960s: innovation and restoration / Seth Graham
  • Auteur cinema during the thaw and stagnation / Eugenie Zvonkine
  • The "blokbaster": how Russian cinema learned to love Hollywood / Dawn Seckler (with Stephen M. Norris)
  • The global and the national in post-Soviet Russian cinema (2004-2012) / Maria Bezenkova, Xenia Leontyeva
  • Sound, image, text. The literary scenario and the Soviet screenwriting tradition / Maria Belodubrovskaya
  • Ideology, technology, aesthetics: early experiments in Soviet color film, 1931-45 / Phil Cavendish
  • Learning to speak Soviet: Soviet cinema and the coming of sound / Lilya Kaganovsky
  • Cinema and the art of being: towards a history of early Soviet set design / Emma Widdis
  • Stars on screen and red carpet / Djurdja Bartlett
  • Revenge of the cameramen: Soviet cinematographers in the director's chair / Peter Rollberg
  • Time and space, history and place. Soldiers, sailors, and commissars: the revolutionary hero in Soviet cinema of the 1930s / Denise J. Youngblood
  • Defending the motherland: the Soviet and Russian war film / Stephen M. Norris
  • Shooting location: Riga / Kevin M. Platt
  • Capital images: Moscow on screen / Birgit Beumers
  • Director's portraits. Boris Barnet: this doubly accursed cinema / Julian Graffy
  • Lulii Raizman: private lives and intimacy under communism / Jamie Miller
  • The man who made them laugh: Leonid Gaidai, the king of Soviet comedy / Elena Prokhorova
  • Aleksei Gherman: reimagining Soviet history, recreating Soviet cinema
  • Knowledge (imperfective): Andrei Zviagintsev and contemporary cinema / Nancy Condee.

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