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How Poets See the World : the Art of Description in Contemporary Poetry.
Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cary :
Oxford University Press,
2005.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Spiegelman, Willard. | |
| 245 | 1 | 0 | |a How Poets See the World : |b the Art of Description in Contemporary Poetry. |
| 260 | |a Cary : |b Oxford University Press, |c 2005. | ||
| 300 | |a 1 online resource (253 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a ONE: "The Way Things Look Each Day": Poetry, Description, Nature; TWO: "Just Looking": Charles Tomlinson and the "Labour of Observation"; THREE: What to Make of an Augmented Thing: Amy Clampitt's Syntactic Dramas; FOUR: Charles Wright and "The Metaphysics of the Quotidian"; FIVE: "A Space for Boundless Revery": Varieties of Ekphrastic Experience; SIX: John Ashbery's Haunted Landscapes; SEVEN: Jorie Graham's "New Way of Looking"; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. | |
| 520 | |a Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxfor. | ||
| 504 | |a Includes bibliographical references (pages 201-217) and index. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a American poetry |y 20th century |x History and criticism. | |
| 650 | 0 | |a Vision in literature. | |
| 650 | 0 | |a Description (Rhetoric) |x History |y 20th century. | |
| 650 | 0 | |a Art and literature |z United States. | |
| 650 | 0 | |a Visual perception in literature. | |
| 650 | 0 | |a Landscapes in literature. | |
| 650 | 0 | |a Nature in literature. | |
| 650 | 0 | |a Art in literature. | |
| 650 | 0 | |a Ekphrasis. | |
| 650 | 6 | |a Poésie américaine |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Vision dans la littérature. | |
| 650 | 6 | |a Discours descriptif |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Art et littérature |z États-Unis. | |
| 650 | 6 | |a Perception visuelle dans la littérature. | |
| 650 | 6 | |a Paysages dans la littérature. | |
| 650 | 6 | |a Nature dans la littérature. | |
| 650 | 6 | |a Art dans la littérature. | |
| 650 | 6 | |a Ekphrasis. | |
| 650 | 7 | |a ekphrasis. |2 aat | |
| 650 | 7 | |a American poetry |2 fast | |
| 650 | 7 | |a Art and literature |2 fast | |
| 650 | 7 | |a Art in literature |2 fast | |
| 650 | 7 | |a Description (Rhetoric) |2 fast | |
| 650 | 7 | |a Ekphrasis |2 fast | |
| 650 | 7 | |a Landscapes in literature |2 fast | |
| 650 | 7 | |a Nature in literature |2 fast | |
| 650 | 7 | |a Vision in literature |2 fast | |
| 650 | 7 | |a Visual perception in literature |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a How poets see the world (Text) |1 https://id.oclc.org/worldcat/entity/E39PCYCxXV8C3Jdcv4QWtf7QHK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Spiegelman, Willard. |t How Poets See the World : The Art of Description in Contemporary Poetry. |d Cary : Oxford University Press, ©2005 |z 9780195174915 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=271620 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL271620 | ||
| 994 | |a 92 |b IZTAP | ||