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Ezra Pound, Wyndham Lewis, and Radical Modernism.

Ezra Pound and Wyndham Lewis developed a highly experimental art; they were attracted simultaneously to political programs remarkably backward in outlook--the autocracies of Fascist Italy and Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshlyaddress...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sherry, Vincent
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cary : Oxford University Press, 1993.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a ILLUSTRATIONS -- Prologue -- 1 From the Continent to England, 1889-1925 -- Musical Empathy -- Political Aesthetics -- European Vortex -- This Hulme Business -- 2 Ezra Pound, 1908-1920 -- Negotiations -- Early Cantos: Auditing the Tradition -- Hugh Selwyn Mauberley -- 3 Wyndham Lewis: L'Entre Deux Guerres -- Untuning the Word -- The Failure of Art -- The Art of Failure -- 4 Ezra Pound, 1921-1939 -- Resuming the Cantos: Eliot, Dada, Major Form -- Making Friends with the Enemy -- States of Excess -- Epilogue -- NOTES -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K. 
505 8 |a L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- Y. 
520 |a Ezra Pound and Wyndham Lewis developed a highly experimental art; they were attracted simultaneously to political programs remarkably backward in outlook--the autocracies of Fascist Italy and Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshlyaddressed in this study. Here Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues, theEnglish mode. 
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