The culture of photography in public space /
Photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological, and political issues converge in these rising anxieties and affect the practice, circulation...
Clasificación: | Libro Electrónico |
---|---|
Otros Autores: | , , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Bristol, UK :
Intellect Books,
2015.
|
Colección: | Critical photography series.
|
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half-title; Copyright; Title; Contents; Foreword; Acknowledgements; Introduction; REFERENCES; NOTES; Chapter 1: Standing on Shifting Ground: Privacy and Photography in Public; INTRODUCTION; THE "RIGHT" TO PRIVACY AND PHOTOGRAPHY; DEFINING PRIVACY; PRIVACY, THE INDIVIDUAL AND PHOTOGRAPHY; THE CAMERA, THE SELF AND PRIVACY; PHOTOGRAPHY AND ITS PUBLICS; CONCLUSION; REFERENCES; NOTES; Chapter 2: Tilt; Chapter 3: "No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror; PHOTOGRAPHY AND ANXIETY: SURVEILLANCE AND CONTROL.
- NO CREDIBLE PHOTOGRAPHIC INTEREST: IF YOU SEE SOMETHING, SAY SOMETHINGPHOTOGRAPHY RESTRICTIONS AND THE STATUS OF THE CONTEMPORARY EXCEPTION; ARTISTIC AND POLITICAL RESPONSES; CONCLUSION; REFERENCES; NOTES; Chapter 4: Street View/Interface; Chapter 5: Bill Henson and the Polemics of the Nude Child in Photography; ART CONTROVERSIES ABOUT CHILDREN AND SEXUALITY; THE BILL HENSON CONTROVERSY; THE CASE AGAINST; THE CASE FOR; CHILDREN'S RIGHTS: PARTICIPATION VS. PROTECTION; PUBLIC SPACE: THE INVITATION AND THE INTERNET; GENDER, AUTHORSHIP AND PORNOGRAPHY.
- BEYOND BINARIES: GENDER AND ART BEYOND HENSONREFERENCES; NOTES; Chapter 6: The Sleepers and Trafalgar Square; Chapter 7: Criminalizing "Camera Fiends": Photography Restrictions in the Age of Digital Reproduction; "CAMERA FIENDS": PHOTOGRAPHY AND ANXIETY IN THE 1800s; ON "THINGS THAT NEED TO BE HIDDEN": THE PUBLIC AND THE PRIVATE; PHOTOGRAPHIC INJURIES; REFERENCES; NOTES; Chapter 8: In the Event of Amnesia the City will Recall; Chapter 9: The Face in Digital Space; FACIAL HISTORY; FACIAL VELOCITY; FACIAL VECTORIZATION; FACIAL PRIVATIZATION; REFERENCES; NOTES.
- Chapter 10: From Sixteen Google Street ViewsChapter 11: Google Street View and Photography in Public Space; GOOGLE STREET VIEW; PHOTOGRAPHIC RESPONSES TO STREET VIEW; JON RAFMAN: WITNESSING ON STREET VIEW; CONCLUSIONS; REFERENCES; NOTES; Further Reading; Contributors; BackCover.