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Governing visions of the real : the National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand.
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Intellect,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover Page; Title Page; Copyright; Dedication; Contents; Abstract; Acknowledgements; Introduction; Governing Visions of the Real; Chapter Outline; The Governmentality and Dispositive of Visions of the Real; Mapping Discourses on the National Film Unit; When and How Is Documentary Film?; Chapter 1: The Griersonian Programme for Documentary Film and Democratic Government; Introduction; Walter Lippmann and "Stereotyped Vision"; Techniques and Strategies of Documentary Film and Public Media; Civic Education Becomes Propaganda; Chapter 2: Propaganda; Introduction.
- From Attractive Views to Visions of the Real
- Early New Zealand State Film ProductionLabour and the Means of Public Discourse; "Show me the Face of a New Zealander"
- John Grierson in New Zealand; "Propagandists with Good Consciences"
- Stanhope Andrews and the Politics of Realism; Directing Democracy
- State Publicity and "the Positive Effort"; The Birth of the National Film Unit; Mobilizing the Population for War
- Wartime Film Production; Chapter 3: Civic Education; Introduction; The Reorganization of State Publicity and the NFU; Controversy on and behind the Screen
- The Holmes Case.
- The Economy of Vision I
- Educating the PopulationEnvisioning Workers
- The Politics of Dignity; Chapter 4: Public Relations; Introduction; National and the Political Economy of State Publicity and Film Production; The Economy of Vision II
- Promoting the Nation; Envisioning Ma-oritanga
- Visions of Ma-ori between "Adaption and Adjustment" and Tourism Commodification; Conclusions: Re-Forming Vision; Glossary of Māori Terms; Filmography; Bibliography; Back Cover.