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|a UAMI
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|a Weckbecker, Lars,
|e author.
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|a Governing visions of the real :
|b the National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand.
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|a Bristol, UK :
|b Intellect,
|c [2015]
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|a 1 online resource
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|a Includes bibliographical references.
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|a Vendor-supplied metadata.
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|a Cover Page; Title Page; Copyright; Dedication; Contents; Abstract; Acknowledgements; Introduction; Governing Visions of the Real; Chapter Outline; The Governmentality and Dispositive of Visions of the Real; Mapping Discourses on the National Film Unit; When and How Is Documentary Film?; Chapter 1: The Griersonian Programme for Documentary Film and Democratic Government; Introduction; Walter Lippmann and "Stereotyped Vision"; Techniques and Strategies of Documentary Film and Public Media; Civic Education Becomes Propaganda; Chapter 2: Propaganda; Introduction.
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|a From Attractive Views to Visions of the Real -- Early New Zealand State Film ProductionLabour and the Means of Public Discourse; "Show me the Face of a New Zealander" -- John Grierson in New Zealand; "Propagandists with Good Consciences" -- Stanhope Andrews and the Politics of Realism; Directing Democracy -- State Publicity and "the Positive Effort"; The Birth of the National Film Unit; Mobilizing the Population for War -- Wartime Film Production; Chapter 3: Civic Education; Introduction; The Reorganization of State Publicity and the NFU; Controversy on and behind the Screen -- The Holmes Case.
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|a The Economy of Vision I -- Educating the PopulationEnvisioning Workers -- The Politics of Dignity; Chapter 4: Public Relations; Introduction; National and the Political Economy of State Publicity and Film Production; The Economy of Vision II -- Promoting the Nation; Envisioning Ma-oritanga -- Visions of Ma-ori between "Adaption and Adjustment" and Tourism Commodification; Conclusions: Re-Forming Vision; Glossary of Māori Terms; Filmography; Bibliography; Back Cover.
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|a English.
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|a Annotation
|b Governing Visions of the Realtraces the emergence, development, and techniques of Griersonian documentary - named for pioneering Scottish film-maker John Grierson - in New Zealand throughout the first half of the twentieth century. Paying close attention to the productions of the National Film Unit in the 1940s and 1950s, Lars Weckbecker traces the shifting practices and governmentality of documentary's 'visions of the real' as New Zealand and its population came to be envisioned through NFU film for an ensemble of political, pedagogic, and propagandistic purposes."
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a New Zealand.
|b National Film Unit
|x History.
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|a Documentary films
|z New Zealand
|x History.
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|a Documentaires
|z Nouvelle-Zélande
|x Histoire.
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|a PERFORMING ARTS
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|a Documentary films
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|a New Zealand
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|1 https://id.oclc.org/worldcat/entity/E39QbtfRmXBg7mpKX7p4DJ8Kqp
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|a History
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|i has work:
|a Governing visions of the real (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFVfpXdcRbf8jyHGJHXwyb
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Weckbecker, Lars.
|t Governing Visions of the Real : The National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand.
|d Bristol : Intellect Books Ltd, ©2015
|z 9781783204953
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