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Nūbat Ramal al-Māya in cultural context : the pen, the voice, the text /

In this unique edition, Carl Davila takes an original approach to the texts of the modern Moroccan Andalusian music tradition. This volume offers a literary-critical analysis and English translation of the texts of this nu¿¿ba, studies their linguistic and thematic features, and compares them with k...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Davila, Carl (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Arabic
Publicado: Leiden ; Boston : Brill, [2016]
Colección:Brill studies in Middle Eastern literatures ; v. 35.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Nūbat Ramal al-Māya in cultural context :  |b the pen, the voice, the text /  |c by Carl Davila. 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2016] 
300 |a 1 online resource (xxii, 624 pages .) 
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490 1 |a Brill studies in Middle Eastern literatures,  |x 1571-5183 ;  |v volume 35 
546 |a In English and Arabic, with Arabic original and English translation on facing pages. 
504 |a Includes bibliographical references and indexes. 
588 0 |a Print version record. 
505 0 |6 880-01  |a Untitled; Preface; Acknowledgements; List of Figures and Tables; On Transliteration; Sigla; Part 1 Text and Context; Chapter 1 Introduction: Al-Āla in Moroccan History and Society; 1 The Structure of the Tradition; 2 Personal and Institutional Relations: A Brief History of the Tradition; Chapter 2 Toward a Sociolinguistics of the Text; 1 The Canon and the Textual Turn; 2 The Value Theory of Tradition: Social, Economic and Linguistic Value in al-Āla; 3 A Theoretical Issue: The Pen as Integrative Tool; 4 A Sociolinguistics of the Text; Chapter 3 Al-Āla as a Literary Phenomenon. 
505 8 |a 1 The Canon2 Kunnāš al-Ḥāʼik; 2.1 Manuscripts; 2.2 Its Problematic Origins; 2.3 Structure and Contents; 2.4 Kunnāš al-Ḥāʼik and the Modern Canon; 2.5 Al-Ḥāʼik and Al-Jāmiʻī; 3 The Al-Jāmiʻī Corpus; 3.1 Manuscripts; 3.2 Structure and Contents; 3.3 Mīzān ad-Darj and the Al-Jāmiʻī Corpus; 4 Barwala and the Modern Canon; 4.1 Linguistic Notes on the Word, Barwala; 4.2 Structural, Linguistic and Metrical Considerations; 4.3 Barwala Text and Manuscript; 5 Concluding Thoughts on the Modern al-Āla Canon; Chapter 4 Mixed Orality: The Impact of the Voice on the Pen; 1 Text-As-Written, Text-As-Performed. 
505 8 |a 1.1 Performed Texts that Differ Substantially from their Written Versions1.2 Augmentation and Alteration of the Written Text in Performance; 1.2a The Uses of Tarāṭīn; 1.2b Repetition and Division of Verbal Expressions; 1.2c Syllables and the Rhythmic System; 2 Traces of Orality in the Written Corpus; 2.1 Reduction of Texts in Composition; 2.2 Text Variations in Different Parts of the Tradition; 2.3 Orthographic Variants that Signal Orality; 2.4 Poetic Intertextuality; 3 Performance Options and Written Text; 4 Themes and Contextualized Meaning; 5 Linguistic Registers in Al-Āla. 
520 |a In this unique edition, Carl Davila takes an original approach to the texts of the modern Moroccan Andalusian music tradition. This volume offers a literary-critical analysis and English translation of the texts of this nu¿¿ba, studies their linguistic and thematic features, and compares them with key manuscripts and published anthologies. Four introductory chapters and four appendices discuss the role of orality in the tradition and the manuscripts that lie behind the print anthologies. Two supplements cross-reference key poetic images in English and Arabic, and provide information on known authors of the texts. This groundbreaking contribution will interest scholars and students of pre-modern Arabic poetry, muwashshah¿Đa¿¿t, Andalusian music traditions, Arabic Studies, orality, and sociolinguistics. 
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650 0 |a Muwashshah  |z Morocco. 
650 0 |a Arabic poetry  |z Morocco  |v Translations into English. 
650 0 |a Arabic poetry  |z Morocco  |x History and criticism. 
650 0 |a Folk poetry, Arabic  |z Morocco  |x History and criticism. 
650 0 |a Songs, Arabic  |z Morocco  |v Texts. 
650 0 |a Songs, Arabic  |z Morocco  |x History and criticism. 
650 6 |a Poésie marocaine. 
650 6 |a Muwashshah  |z Maroc. 
650 6 |a Poésie marocaine  |x Histoire et critique. 
650 6 |a Poésie populaire arabe  |z Maroc  |x Histoire et critique. 
650 6 |a Chansons arabes  |z Maroc  |v Textes. 
650 6 |a Chansons arabes  |z Maroc  |x Histoire et critique. 
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650 7 |a Volkslyrik  |2 gnd 
650 7 |a Muwaššaha  |2 gnd 
650 7 |a Lied  |2 gnd 
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651 7 |a al- Andalus  |2 gnd 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a Texts  |2 fast 
655 7 |a Translations  |2 fast 
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880 8 |6 505-00/(3/r  |a 5.1 The Significance of Linguistic Registers in Al-Āla5.2 Linguistic Registers: Tawšīḥ and Zajal; 5.3 Linguistic Registers: Barwala; 5.4 Linguistic Register as an Analytical Tool for Al-Āla; 6 Linguistic Value in Al-Āla: Some Concluding Thoughts; Part 2 Nūbat Ramal al-Māya Text, Translation and Commentary; Introduction: General Comments; I. Mīzān al-Basīṭ; خاتم الرسل الكرام المنمى; عليك يارسول اللهّ أزكى تحيةّ; صلوا ياعباد جملة على اشرف; رب ليل ظفرت بالبدر; يارسول اللهّ يابدري; عروس يوم القيامة; تاج الكرام; يابديع الحسن يا خيرالانام; ذكري وأورادي; الاصلوا قياما وقعودا; يامعشر الفقرا. 
880 8 |6 505-01/(3/r  |a صلوا على الهاديوخيرمن تأتي ملوك الورى; ماراحتي; بادر وسلم على أنوار روضته; هوالنبي المعظم; في رضى وامتنان; ريح الخزام; ماللمو له; ياأهل طيبة لي في ربعكم قمر; صلى عليك إله العرش ماسجعت; يامصطفى من قبل نشأة آدم; غرامي مجدد; ياعاشقين; شد الحمول واعزم; يامحمد ياجوهرة عقدي ; سيد الرسل عشقته يا كرام; محمد خيرمخلوق سما خلقه; في حالة البعد روحي كنت ارسلها; II. Mīzān al-Qāʼim wa-Niṣf; باللهّ ياحادي النياق; يارسول اللهّ يابحر الوفا; بنورك أوضحت الهدى لمن اهتدى; يترى باللهّ ياترى; ان قيل زرتم بمارجعتم; محمد قد جل قدره; عشقت القمر; لولاك ماهمت وجدا; لاجمال إلاجماله العجيب; صلوا على شمس النبؤة والضحى. 
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