Tabla de Contenidos:
  • Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgements; List of Figures and Tables; List of Contributors; Introduction The Languages of Resistance: National Particularities, Universal Aspirations; 1 Reading The English Political Songs of the 1790s; 2 Why Should the Landlords Have the Best Songs? Thomas Spence and the Subversion of Popular Song; 3 'Bard of Liberty': Iolo Morganwg, Wales and Radical Song; 4 Canonicity and Radical Evangelicalism: The Case of Thomas Kelly.
  • 5 Charlotte Brooke's Reliques of Irish Poetry: Eighteenth-Century 'Irish Song' and the Politics of Remediation6 Homology, Analogy and the Perception of Irish Radicalism; 7 Lost Manuscripts and Reactionary Rustling: Was There a Radical Scottish Gaelic Poetry Between 1770 and 1820?; 8 Virile Vernaculars: Radical Sexuality as Social Subversion in Irish Chapbook Verse, 1780-1820; 9 Thomas Moore and the Problem of Colonial Masculinity in Irish Romanticism; 10 Radical Politics and Dialect in the British Archipelago.
  • 11 'Theaw Kon Ekspect No Mooar Eawt ov a Pig thin a Grunt': Searching for the Radical Dialect Voice in Industrial Lancashire and the West Riding, 1798-1819Afterword: Th e Languages of Resistance; Notes; Works Cited; Index.