Embodied Lives : Reflections on the Influence of Suprapto Suryodarmo and Amerta Movement.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Reeve, Sandra
Otros Autores: Bloom, Katya, Galanter, Margit
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Devon : Triarchy Press, 2014.
Temas:
Movement (Philosophy)
Mouvement (Philosophie)
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; PUBLISHER'S NOTE; CONTENTS; Acknowledgements; Introduction; 1. PRESENCE; Beate Stühm (Germany); Reflecting; An Experiment; Fields of Awareness; Further Development; Acceptance; Blossoming; 2. AMERTA MOVEMENT AND ARCHAEOLOGY ; Keith Miller (UK); Archaeology; The Embodied Archaeological Experience; Time and Place; Amerta Movement; Working with Layers; Living Measurement; Position and Perspective; Using Objects or Tools; Circle, Oval, Square; The Art Approach; 3. CULTURAL ASPECTS OF THE MOVEMENT WORK; Christina Stelzer (Germany); Waiting; Hearing the World; Respect.
  • 4. AMERTA AND TIBETAN BUDDHISMMonika Förster (Germany/Holland); Back Home; Mind as an Ally?; Bowing Towards Daily Life; The Blessing of Being Seen; How to Give Awareness Without Creating Stagnation; The practice of sounding; Epilogue; 5. THE EYE OF THE HAND; Steve Hopkins (UK); Opening Sequence: The Empty Axis; The Frame: Moving in Not Moving; The Shot: Moving in Moving; Editing: Finding Your Stopping; Endings: Blossoming in the Blessing; 6. A DOG PRACTICING 'Talking Body'; José Mulder van de Graaf (Bolivia); Summary and Concluding Thoughts; 7. "MAKE LESS THE HOPING""; Sandra Reeve (UK).
  • Epilogue8. TOUCHING FORGOTTEN REALITIES; Bettina Mainz (Germany); Preamble; Born in the Age of Criticism; Embodying the Right to Criticize and to Be Against; Dance as refuge; A Way; Reconciliation:; One Way to Describe How Prapto "gives practice"; Body of Becoming
  • Forgotten Realities; Conclusion; 9. THE ECHO OF LIFE ; Daniela Coronelli (Italy/UK); Mindfulness; Shiatsu; Proprioception; Seiki and Resonance; Amerta Movement and Contact with our Condition; Combining All These Practices; Guiding and Being Guided Through Resonance; Conclusion; 10. I ALWAYS DO THREE THINGS; Shantam Zohar (Israel).
  • 11. A PRESENCING DIALMargit Galanter (USA); Practicing Presences, Presencing; 2004, Brooklyn, NY; 2004-2006, New York; The Garden; 2008, SEEDS Festival Showing, Western Massachusetts; 2011, Subterranean Arthouse, Berkeley, California; 2013, East Bay, California; 2010-2013, Ellen Webb Studio, Oakland; 12. AMERTA MOVEMENT AND SOMATIC COSTUME; Sally E. Dean (USA/UK); Description and Aim of the Project; Project Background; What is a Somatic Costume?; Somatic Costumes and Amerta Imagery; Amerta Movement and the Role of the Image; Amerta Imagery
  • The Ecological Image.
  • Somatic Costume and the Ecological ImageAmerta Movement's Approach: "Dream/Reality"or "Fiction/Fact"; Amerta Movement and My Shifting Relationshipto Image; The Image and the Audience; Future Applications; 13. CRYSTALLIZATION-PERFORMANCE; Lise Lavelle (Denmark); Growing my Performance in the Valley; 14. BEING AND DOING IN THE WILD GARDEN; Susanne Tümpel (Germany); Setting; Different Cultures in Former East and West Germany?; The Wild Garden; Process in Individual and in Group Work; Oneness and Separateness; Single Session with Mrs. A.; Being-Doing in My Work
  • The Wild Garden.

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