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|a UAMI
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|a Maas, Sander van.
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|a Thresholds of Listening :
|b Sound, Technics, Space.
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|a Bronx :
|b Fordham University Press,
|c 2015.
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|a 1 online resource (324 pages)
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|a Front ; contents; Introduction; The Auditory Re-Turn (The Point of Listening); "Dear Listener . . ."; Scenes of Inner Devastation; Positive Feedback; "Antennas Have Long Since Invaded Our Brains"; Movement at the Boundaries of Listening, Composition, and Performance; The Biopolitics of Noise; Torture as an Instrument of Music; Stop It, I Like It!; Sounds of Belonging; Back to the Beat; The Discovery of Slowness in Music; Negotiating Ecstasy; Index.
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|a Includes bibliographical references and index.
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|a This collection of essays addresses recent and historical changes in the ways in which listening has been conceived as a cultural agency and act. It argues that listening, by emancipating from an essentially implied, passive-receiving, and subjected position, has become an explicit factor in culture and the object of proactive collective and individual politics.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Listening.
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650 |
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|a Écoute (Psychologie)
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650 |
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|a Listening
|2 fast
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|i has work:
|a Thresholds of listening (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFygWDYQGG7GQTbh9mQJfy
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Maas, Sander van.
|t Thresholds of Listening : Sound, Technics, Space.
|d Bronx : Fordham University Press, ©2015
|z 9780823264377
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3430741
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938 |
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