MARC

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008 151212s1998 txu o 000 0 eng d
040 |a EBLCP  |b eng  |e pn  |c EBLCP  |d OCLCQ  |d MERUC  |d OCLCQ  |d ZCU  |d ICG  |d OCLCO  |d OCLCF  |d OCLCQ  |d OCLCO  |d OCLCQ  |d DKC  |d OCLCQ  |d HS0  |d OCLCQ  |d VT2  |d OCLCQ  |d OCLCO  |d OCLCQ  |d OCLCO  |d OCLCL 
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020 |a 0292746962  |q (Trade Cloth) 
024 3 |a 9780292746961 
029 1 |a AU@  |b 000060077728 
029 1 |a DEBBG  |b BV044118271 
035 |a (OCoLC)929158649  |z (OCoLC)1148125689 
037 |a LINFEM  |b 00027426 
043 |a e-gx--- 
050 4 |a PN1993.5.G3 ǂb L56 1998eb 
082 0 4 |a 791.43/0943 
049 |a UAMI 
100 1 |a Linville, Susan E. 
245 1 0 |a Feminism, Film, Fascism :  |b Women's Autobiographical Film in Postwar Germany. 
260 |a Austin :  |b University of Texas Press,  |c 1998. 
300 |a 1 online resource (208 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 0 |a Print version record. 
505 0 |a Introduction; Kinder, Kirche, Kino; The Mother-Daughter Plot in History; Self-Consuming Images; Retrieving History; The Autoethnographic Aesthetic of Jeanine Meerapfel's Malou; Epilogue; index. 
520 8 |a Annotation  |b German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn . In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns-namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages-Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Bruuml;ckner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou . By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Motion pictures  |z Germany  |x History. 
650 0 |a Women in motion pictures. 
650 0 |a Women motion picture producers and directors  |z Germany. 
650 0 |a Motion pictures  |z Germany  |x Psychological aspects. 
650 0 |a Guilt. 
650 6 |a Cinéma  |z Allemagne  |x Histoire. 
650 6 |a Femmes au cinéma. 
650 6 |a Productrices et réalisatrices de cinéma  |z Allemagne. 
650 6 |a Cinéma  |z Allemagne  |x Aspect psychologique. 
650 6 |a Culpabilité. 
650 7 |a guilt.  |2 aat 
650 7 |a PERFORMING ARTS.  |2 bisac 
650 7 |a Film & Video / General.  |2 bisac 
650 7 |a Guilt  |2 fast 
650 7 |a Motion pictures  |2 fast 
650 7 |a Motion pictures  |x Psychological aspects  |2 fast 
650 7 |a Women in motion pictures  |2 fast 
650 7 |a Women motion picture producers and directors  |2 fast 
651 7 |a Germany  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd 
650 7 |a Music, Dance, Drama & Film.  |2 hilcc 
650 7 |a Film.  |2 hilcc 
655 7 |a History  |2 fast 
758 |i has work:  |a Feminism, film, fascism (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFy94Y3bw7m3JQkMKRD4jd  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Linville, Susan E.  |t Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany.  |d Austin : University of Texas Press, ©1998  |z 9780292746961 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3442966  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL3442966 
994 |a 92  |b IZTAP