Cargando…
Metaphor and communication /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Philadelphia :
John Benjamins Publishing Company,
[2016]
|
| Colección: | Metaphor in language, cognition, and communication ;
v. 5. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Metaphors we live twice: A communicative approach beyond the conceptual view?; 1. Introduction; 2. The cognitive and linguistic dimension of metaphor; 2.1 Corpus data; 2.2 Speakers' behaviour; 3. The communicative dimension of metaphor; 3.1 Persuasion in politics; 3.2 Persuasion in media and advertising; 3.3 Instruction and entertainment in education and arts; 4. Conclusions; Acknowledgements; References; Part I. The cognitive and linguistic dimension of metaphor; Metaphor and simile: Categorizing and comparing categorization and comparison; 1. Introduction
- 2. The Comparison/Categorization debate3. Ellipsis-based mischaracterization of Comparison theory; 4. Towards an alternative battlefield; 4.1 Target/Source contribution disparity; 4.2 Target/Source mediator-preservation degree; 4.3 Mediator carefulness; 5. An example of the application of the dimensions; 6. Conclusion; Acknowledgments; References; Taste synaesthesias: Linguistic features and neurophysiological bases; 1. Introduction; 1.1 Linguistic synaesthesia; 1.2 Taste: A few words for a complex experience; 2. A corpus-based analysis of taste synaesthesias; 2.1 The corpus; 2.2 Results
- 3. Metaphors of taste3.1 The semantics of taste: A paradox?; 3.2 Grounded taste metaphors; 3.3 Conclusion; Acknowledgements; References; Selling and buying, killing and wounding: (Un)conventional metaphors from two different sema; 1. Introduction; 2. The corpus study: Identifying more and less conventional metaphors; 2.1 Theoretical considerations: Conventionality and frequency; 2.2 Method and results; 3. Metaphorical commercial events; 4. The field of bodily harm; 5. Linking low-level creativity and high-level conventionality: The notion of intersubjectivity; 6. Conclusion; Acknowledgement