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The cinema of Christopher Nolan : imagining the impossible /
Over the past fifteen years, writer, producer and director Christopher Nolan has emerged from the margins of independent British cinema to become one of the most commercially successful directors in Hollywood. From Following (1998) to Interstellar (2014), Nolan's films have explored the philoso...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2015]
|
| Colección: | Directors' cuts.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The cinema of Christopher Nolan : |b imagining the impossible / |c edited by Jacqueline Furby & Stuart Joy. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xiii, 274 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |2 rda | ||
| 490 | 1 | |a Directors' cuts | |
| 588 | 0 | |a Print version record. | |
| 500 | |a "A Wallflower Press Book, Published by Columbia University Press." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Over the past fifteen years, writer, producer and director Christopher Nolan has emerged from the margins of independent British cinema to become one of the most commercially successful directors in Hollywood. From Following (1998) to Interstellar (2014), Nolan's films have explored the philosophical concerns of cinema articulated through a distinctive cerebral style that is marked by a frequent experimentation with non-linear storytelling, and yet remains integrated within classical Hollywood narrative and genre frameworks. Through the contextualization and close readings of each of his films, this collection brings together academic work from a range of disciplines to examine the director's central themes and preoccupations -- memory, time, trauma, masculinity and identity -- whilst also offering analyses of otherwise marginalized aspects of his work, such as the function of music, video games and the impact of IMAX and other new technologies. | ||
| 505 | 0 | |a Developing an auteur through reviews: the critical surround of Christopher Nolan / Erin Hill-Parks -- Cinephilia writ large: IMAX in Christopher Nolan's 'The Dark Knight' and 'The Dark Knight rises' / Allison Whitney -- Nolan's immersive allegories of filmmaking in 'Inception' and 'The prestige' / Jonathan Olson -- Saints, sinners and terrorists: the women of Christopher Nolan's Gotham / Tosha Taylor -- Memento's postmodern noir fantasy: place, domesticity and gender identity / Margaret A. Toth -- Men in crisis: Christopher Nolan, un-truths and fictionalising masculinity / Peter Deakin -- Representing trauma: grief, amnesia and traumatic memory in Nolan's new millennial films / Fran Pheasant-Kelly -- "The dream has become their reality": infinite regression in Christopher Nolan's 'Memento' and 'Inception' / Lisa K. Perdigao -- Revisiting the scene of the crime: insomnia and the return of the repressed / Stuart Joy -- "You keep telling yourself what you know, but what do you believe?": cultural spin, puzzle films and mind games in the cinema of Christopher Nolan / Sorcha Ní Fhlainn -- Stumbling over the superhero: Christopher Nolan's victories and compromises / Todd McGowan -- Inception's singular lack of unity among Christopher Nolan's puzzle films / Andrew Kania -- Inception's video game logic / Warren Buckland -- On the work of the double in Christopher Nolan's 'The prestige' / Kwasu David Tembo -- Hearing music in dreams: towards a semiotic role of music in Nolan's 'Inception' / Felix Engel and Janina Wildfeuer -- About time too: from 'Interstellar' to 'Following, ' Christopher Nolan's continuing preoccupation with time-travel / Jacqueline Furby. | |
| 546 | |a In English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Nolan, Christopher, |d 1970- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Nolan, Christopher, |d 1970- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd3QXvj4pQVQkBqY9KDbd |
| 650 | 0 | |a Motion picture producers and directors |z Great Britain. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Grande-Bretagne. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
| 650 | 7 | |a Regissörer. |2 sfit | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Furby, Jacqueline, |e editor. | |
| 700 | 1 | |a Joy, Stuart, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Cinema of Christopher Nolan. |d New York : Columbia University Press, [2015] |z 9780231173971 |w (OCoLC)900031672 |
| 830 | 0 | |a Directors' cuts. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1980213 |z Texto completo |
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