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Imperative to Write : Destitutions of the Sublime in Kafka, Blanchot and Beckett.

Beginning precisely where the great masters of suspicion ended, this book aims for nothing short than a renewal of theological thinking. Not by way of an argument against the death of God or on behalf of the postmodern return of religion, but instead by extending and radicalizing an iconoclastic and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fort, Jeff
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bronx : Fordham University Press, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Imperative to Write :  |b Destitutions of the Sublime in Kafka, Blanchot and Beckett. 
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505 0 |a ""Cover""; ""Contents""; ""List of Abbreviations""; ""Preface""; ""INTRODUCTION: “Why Do You Write?â€?â€?The Fault of Writing""; ""PART ONE: KAFKA""; ""1. Kafkaâ€?s Teeth: The Literary Gewissenbiss""; ""2. The Ecstasy of Judgment""; ""3. Embodied Violence and the Leap from the Law: “In the Penal Colonyâ€? and The Trial""; ""4. Degradation of the Sublime: “A Hunger Artistâ€?""; ""PART TWO: BLANCHOT""; ""5. Pointed Instants: Blanchotâ€?s Exigencies""; ""6. The Shell and the Mask: Lâ€?arrêt de mort""; ""7. The Dead Look: The Death Mask, the Corpse Image, and the Haunting of Fiction"" 
505 8 |a ""PART THREE: BECKETT""""8. Beckettâ€?s Voices and the Paradox of Expression""; ""9. Company, But Not Enough""; ""Conclusion: Speech Unredeemed: From the Call of Conscience to the Torture of Language""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z"" 
520 8 |a Beginning precisely where the great masters of suspicion ended, this book aims for nothing short than a renewal of theological thinking. Not by way of an argument against the death of God or on behalf of the postmodern return of religion, but instead by extending and radicalizing an iconoclastic and existentialist mode of thought. It ventures to put forth a theology whose point of departure assumes and accepts the critiques of religion launched by Nietzsche, Freud, Marx, and Feuerbach, but nevertheless takes theological desire seriously as a rebellious force working within, but against, an anthropomorphic, phallogocentric worldview. 
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600 1 0 |a Kafka, Franz,  |d 1883-1924  |x Criticism and interpretation. 
600 1 0 |a Blanchot, Maurice  |x Criticism and interpretation. 
600 1 0 |a Beckett, Samuel,  |d 1906-1989  |x Criticism and interpretation. 
600 1 1 |a Beckett, Samuel,  |d 1906-1989  |x Criticism and interpretation. 
600 1 1 |a Blanchot, Maurice  |x Criticism and interpretation. 
600 1 1 |a Kafka, Franz,  |d 1883-1924  |x Criticism and interpretation. 
600 1 7 |a Beckett, Samuel,  |d 1906-1989  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJfcPmr936X6BBQGgkFxjC 
600 1 7 |a Blanchot, Maurice  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJvCMCjQvDbDKhjjmjvrbd 
600 1 7 |a Kafka, Franz,  |d 1883-1924  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJy8mdC4cmCd46PCGdYF8C 
650 0 |a Sublime, The, in literature. 
650 6 |a Sublime dans la littérature. 
650 7 |a Sublime, The, in literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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