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Caterpillage : Reflections on Seventeenth-Century Dutch Still Life Painting.

Caterpillage is a study of seventeenth-century Dutch still life painting. It develops an interpretive approach based on the author's previous studies of portraiture, and its goal is to offer its readers a new way to think and talk about the genre of still life. The book begins with a critique o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Berger, Harry
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bronx : Fordham University Press, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Berger, Harry. 
245 1 0 |a Caterpillage :  |b Reflections on Seventeenth-Century Dutch Still Life Painting. 
260 |a Bronx :  |b Fordham University Press,  |c 2011. 
300 |a 1 online resource (132 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 0 |a Print version record. 
505 0 |a Contents -- Illustrations -- Acknowledgments -- Prologue -- Hyperreality and Truthiness -- Reading Blakeâ€?s The SICK ROSE -- Ethics Versus Technics in Seventeenth-Century Dutch Still Life -- Vanitas: The McGuffin of Still Life -- Still Life, Trade, and Truthiness -- The Pretext of Occasion: Floris van Dijckâ€?s Laid Table with Cheese and Fruit, c. 1615 -- Nature Mourant: The Fictiveness of Dutch Realism -- The Embarrassment of Niches: Christoffel van den Bergheâ€?s Vase of Flowers in a Stone Niche, 1617 
505 8 |a Nature Mourant: Bosschaertâ€?s Leaves, Merianâ€?s CaterpillarsSmall-scale Violence -- The Darker Spirit: Van Huysumâ€?s Heaps -- Posies: The Bouquet as Pretext of Occasion -- Joris Hoefnagel and the Roots of Dutch Flower Painting -- Conclusion: Allegorical Capture and Interpretive Release -- Epigraph Sources -- Notes -- Index of Names 
504 |a Includes bibliographical references and index. 
520 |a Caterpillage is a study of seventeenth-century Dutch still life painting. It develops an interpretive approach based on the author's previous studies of portraiture, and its goal is to offer its readers a new way to think and talk about the genre of still life. The book begins with a critique of iconographic discourse and particularly of iconography's treatment of vanitas symbolism. It goes on to argue that this treatment tends to divert attention from still life's darker meanings and from the true character of its traffic with death. Interpretations of still life that focus on the vanity of hu. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Still-life painting, Dutch  |y 17th century. 
650 0 |a Death in art. 
650 6 |a Mort dans l'art. 
650 7 |a Death in art  |2 fast 
650 7 |a Still-life painting, Dutch  |2 fast 
648 7 |a 1600-1699  |2 fast 
758 |i has work:  |a Caterpillage (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFCPm6prKbxWJmBHCc6cpq  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Berger, Harry.  |t Caterpillage : Reflections on Seventeenth-Century Dutch Still Life Painting.  |d Bronx : Fordham University Press, ©2011  |z 9780823233137 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3239562  |z Texto completo 
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