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Rendering French Realism.

Realist novels are usually seen as verisimilar representations of the world, and even when that verisimilitude is critically examined (as it has been by Marxist and feminist critics), the criticism has referred to extra-literary matters, such as bourgeois ideology or defects in the portrayal of wome...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schehr, Lawrence R.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford : Stanford University Press, 1997.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Rendering French Realism. 
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505 0 0 |g 1.  |t Introduction: De te textus --  |g 2.  |t Stendhal's Inventions --  |g 3.  |t Balzac's Improprieties --  |g 4.  |t Romantic Interruptions --  |g 5.  |t At Home with Flaubert. 
520 |a Realist novels are usually seen as verisimilar representations of the world, and even when that verisimilitude is critically examined (as it has been by Marxist and feminist critics), the criticism has referred to extra-literary matters, such as bourgeois ideology or defects in the portrayal of women. This book takes as its thesis that the point defining realism is the point at which the processes of representation break down, a sort of black hole of textuality, a rent in the tissue. 
520 8 |a After an initial chapter dealing with the limits and ruptures of textuality, the book considers the work of Stendhal, from its early state as a precursor to the later realism to La Chartreuse de Parme, which shows how the act of communication for Stendhal is always made of silences, gaps, and interruptions. The author then reads several works of Balzac, showing how he, while setting up the praxes of continuity on which his oeuvre depends, ruptures the works at various strategic points. In a chapter entitle "Romantic Interruptions," works of Nerval and the younger Dumas, seemingly unrelated to the realist project, are shown to be marked by the ideological, representational, and semiotic assumptions that produced Balzac. 
520 8 |a The book concludes with Flaubert, looking both at how Flaubert incessantly makes things "unfit" and how critics, even the most perspicacious postmodern ones, often try to smooth over the permanent crisis of rupture that is the sign of Flaubert's writing. 
504 |a Includes bibliographical references (p. [255]-263) and index. 
546 |a English. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a French fiction  |y 19th century  |x History and criticism. 
650 0 |a Realism in literature. 
650 6 |a Roman français  |y 19e siècle  |x Histoire et critique. 
650 6 |a Réalisme dans la littérature. 
650 7 |a French fiction  |2 fast 
650 7 |a Realism in literature  |2 fast 
648 7 |a 1800-1899  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Schehr, Lawrence R.  |t Rendering French Realism.  |d Stanford : Stanford University Press, ©1997  |z 9780804727877 
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