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Women Filmmakers.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Vancouver :
UBC Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ""Contents""; ""Illustrations""; ""Acknowledgments""; ""Women Filmmakers""; ""Introduction Refocusing: Talking about (and with) Women Filmmakers""; ""Part 1 Women Filmmakers: Refocusing History and Theory""; ""1 Women, Film, Resistance: Changing Paradigms""; ""2 Refocusing Authorship in Women�s Filmmaking""; ""3 Women Filmmakers and the Avant-Garde: From Dulac to Duras""; ""4 Cinefeminism in Its Middle Ages, or “Please, Please, Please Give Me Back My Pleasure�: The 1990s Work of Sally Potter, Chantal Akerman, and Yvonne Rainer""
- ""Part 2 Close-up on the Life and Works of Auteures from Europe""""5 Helma Sanders Brahms: An Introduction""; ""6 Interview and Excerpts from a Master Class with Helma Sanders Brahms""; ""7 The Personal and the Political: Interview with Margarethe von Trotta""; ""8 Changing Identity: Margarethe von Trotta�s The Second Awakening of Christa Klages""; ""9 Agnieszka Holland: Continuity, the Self, and Artistic Vision""; ""10 The Dancing Body: Sally Potter as a Feminist Auteure""; ""Part 3 Women in the Mainstream: Using Popular Genres in Europe""
- ""11 The Vanishing Healer in Doris Dörrie�s Nobody Loves Me""""12 Women Directors and Genre Films in France""; ""13 Mainstreaming the Margins in France: Three Films au Féminin""; ""14 Lina Wertm�ller: The Grotesque in Seven Beauties""; ""Part 4 Focus on Conditions of Production: Training, Funding, Distribution""; ""15 Agnieszka Holland, Barbara Sass, and Dorota Ke dzierzawska in the World of Male Polish Filmmaking""; ""16 The Films of Helke Misselwitz: Reconstructing Gender and Identity in the Former GDR""; ""17 “Cinéma des Copines� and an Interview with Patricia Plattner""
- ""18 Making Feature Films: Panel Discussion with Helma Sanders Brahms (Germany), Caroline Eades (France), Patricia Plattner (Switzerland), and Anne Wheeler (Canada)""""19 Making Documentary Films: Panel Discussion with Nicole Gigu�re, Brenda Longfellow, Loretta Todd, and Aerlyn Weissman""; ""Part 5 Women�s Films through a Postcolonial Lens""; ""20 Beyond Tradition and Modernity: Representations of Identity in Two Kenyan Films""; ""21 Shuhaimi Baba and the Malaysian New Wave: Negotiating the Recuperation of Malay Custom (Adat)""
- ""22 Representation of Women in the Films of MarÃa Luisa Bemberg""""23 Temporality and Identity in Sara Gómezâ€?s Documentaries""; ""24 Sprung from Sisterhood: Interview with Yue- Qing Yang on Making Nu Shu: A Hidden Language of Women in China""; ""Part 6 National and Cultural Montages: Crossing Boundaries""; ""25 An Introduction to Deepa Mehta: Making Films in Canada and India""; ""26 Excerpts from a Master Class with Deepa Mehta""; ""27 The Post of Colonial in the Works of Pratibha Parmar: Kiss My Chuddies""; ""28 Interview and Excerpts from a Master Class with Pratibha Parmar""