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|a UAMI
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|a Behan, Tom.
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|a Dario Fo :
|b Revolutionary Theatre.
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|a London :
|b Pluto Press,
|c 1999.
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|a 1 online resource (192 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Print version record.
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|a ""Contents ""; ""Acknowledgements ""; ""Brief Chronology ""; ""Introduction ""; ""1. The Bourgeois Period ""; ""Challenges to the System ""; ""On the Wavelength of Lies ""; ""Back to the Theatre ""; ""The Break with the Bourgeoisie ""; ""2. The Revolutionary Period ""; ""A New Audience ""; ""The Politics of New Scene""; ""The Break with Reformism ""; ""The Commune""; ""The Gathering Storm ""; ""Chile: The End of the Parliamentary Road to Socialism ""; ""Palazzina Liberty""; ""3. Accidental Death of an Anarchist""; ""The Strategy of Tension ""; ""The Genesis of the Play ""
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|a ""Smashing the State """"Attempted Obliteration of an Anarchist ""; ""The Frame-up of the Anarchist's Friends ""; ""Conclusion ""; ""4. Can't Pay? Won't Pay!""; ""Upturns, Downturns and Autoriduzioni""; ""Life Imitates Art ""; ""The Continued Success of the Play ""; ""5. Mistero Buffo""; ""Mistero Buffo in History and in Theory ""; ""Mistero Buffo in Practice ""; ""The Vatican's Response to Mistero Buffo""; ""On Writing and Performing ""; ""Breaking the Fourth Wall ""; ""The Power of Laughter ""; ""6. The Downturn Period ""; ""Left-wing Terrorism and Trumpets and Raspberries""
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|a ""Maoism and Marxism """"Exit Stage Left? ""; ""The End of the Regime ""; ""Conclusion ""; ""Dario Fo, Nobel Prizewinner -- A Mistero Buffo?""; ""Appendix A: Fo's Theatrical Coup ""; ""Success ""; ""Appendix B: An 'Intervention Show' in Brescia ""; ""Appendix C: A Telegram to The Commune""; ""Notes ""; ""Introduction ""; ""Chapter 1 The Bourgeois Period ""; ""Chapter 2 The Revolutionary Period ""; ""Chapter 3 Accidental Death of an Anarchist""; ""Chapter 4 Can't Pay? Won't Pay!""; ""Chapter 5 Mistero Buffo""; ""Chapter 6 The Downturn Period ""; ""Conclusion ""
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|a ""Appendix A: Fo's Theatrical Coup """"Appendix B: An Intervention Show in Brescia ""; ""Appendix C: A Telegram to The Commune""; ""Index""; ""A Poke in the Eye 8""; ""Accidental Death of an Anarchist""; "" 3""; "" 40""; ""Agnelli, G. 85""; ""All Home, Bed and Church""; "" 92""; "" 113""; ""Archangels Don't Play Pinball 11-12""; ""ARCI 19""; ""Berlinguer, E. 28""; ""Big Pantomime with Flags and Puppets 27""; ""Brecht, B. 3""; ""Calabresi, L.""; "" 67-69""; "" 159n""; ""Can't Pay? Won't Pay!""; "" 3""; "" 87-94""; ""Canzonissima 15-18""; ""Case del popolo 27-28""
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|a ""Fabulatori 5""""Fanfani Kidnapped 59""; ""FIAT car company""; "" 13""; "" 35""; ""Fo, D.""; "" 'bourgeois period' 11-14""; "" 'intervention' shows 61-62""; "" 'intervention' shows 146-149""; "" adolescence 6-7""; "" anti Stalinism 9-10""; "" anti Stalinism 109""; "" attitude to theatrical language and writing 11""; "" break with commercial theatre in 3""; "" collective influence on writing 3""; "" collective influence on writing 13""; "" historical research for plays 20""; "" historical research for plays 45""; "" Nobel prizewinner 2""; "" Nobel prizewinner 76-77""
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|a "" on the 'fourth wall' 106-109""
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|a Annotation
|b For three decades Dario Fo has been the world's most performed living playwright and Europe's leading radical dramatist. He was awarded the 1997 Nobel Prize for Literature at the age of 71 for his contributions as a writer, actor and mime artist over half a century. A controversial figure, he has also been a communist for most of his life. In the first political biography of Dario Fo, Tom Behan traces Fo's life and work from his beginnings in cabaret and mime in postwar Italy and his early writings for television and radio, to the development of his political ideas and the influence of his plays both inside and outside Italy. Behan broadens his study to examine the importance of Fo's theatre and explores the relationship between mass leftwing movements and Fo's activities as playwright and performer. To illustrate these links, Behan makes a detailed analysis of the key themes in Fo's plays - state repression in The Accidental Death of an Anarchist, rebellion in Can't Pay, Won't Pay, the tragedy of leftwing terrorism in Trumpets and Raspberries, and the anti-Clerical satire of Mistero Buffo.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Fo, Dario
|x Criticism and interpretation.
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|a Fo, Dario
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJgH8RHHyQHT3QYf7BxhpP
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650 |
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|a Theater
|z Italy
|x History
|y 20th century.
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|a Experimental theater
|z Italy
|x History
|y 20th century.
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|a Théâtre
|z Italie
|x Histoire
|y 20e siècle.
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|a Experimental theater
|2 fast
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|a Theater
|2 fast
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|a Italy
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|1 https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
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|i has work:
|a Dario Fo (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGCc77bbrtKVQ4HRc9Gq43
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Behan, Tom.
|t Dario Fo : Revolutionary Theatre.
|d London : Pluto Press, ©1999
|z 9780745313627
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3386066
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL3386066
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|a EBSCOhost
|b EBSC
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