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Sketching for architecture + interior design /

Annotation

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Travis, Stephanie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Laurence King Publishing Ltd., 2015.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Sketching for architecture + interior design /  |c Stephanie Travis. 
264 1 |a London :  |b Laurence King Publishing Ltd.,  |c 2015. 
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588 0 |a Online resource; title from PDF title page (EBSCO, viewed October 8, 2015). 
520 8 |a Annotation  |b The debate surrounding hand drawing versus computer-generated imagery has become a hot topic. Having grown up with computers, todays interior design and architecture students are extremely adept at creating computer imagery, but often lack confidence in their freehand sketching skills, or do not know how to sketch at all. Sketching, and the careful observation that it entails, is essential for the successful development of the next generation of designers. Forty-five step-by-step exercises take the student from the simple threedimensional forms of furniture, to interiors, to complex building exteriors and cityscapes. Technical topics covered include tools, line weights, perspective, proportion, composition, shading, serial views and context. Exercises are illustrated with beautiful sketches specially created by the author. Sketching for Architecture and Interior Design is an indispensable and practical guide for students wishing to master the art of looking and sketching. 
505 0 |a INTRODUCTION; MATERIALS; PEN WARM-UP; MARKER WARM-UP; CHAPTER 1: FURNITURE + LIGHTING; PRELIMINARY STUDY; ABSTRACTION; NEGATIVE STUDY; POSITIVE STUDY; MIRROR IMAGE; GUIDELINES; LAYERS; PERSPECTIVE BASICS; PLAN, ELEVATION + 3D; CIRCLES; MULTIPLE VIEW POINTS; APPLIED PATTERN; INTEGRATED PATTERN; SHADE + SHADOW; COMPOSITION; CHAPTER 2: INTERIORS; ONE-POINT PERSPECTIVE; TWO-POINT PERSPECTIVE; ONE-POINT ABSTRACTION; TWO-POINT ABSTRACTION; TRANSITIONAL SPACE; INTERIOR + EXTERIOR; WINDOW FRAMES; REPETITION; CONTINUOUS LINE; SCULPTURAL STUDY; PEOPLE; VIEWPOINTS; FOREGROUND + BACKGROUND; MAGNIFICATION 
505 8 |a INTERIOR SHADINGCHAPTER 3: ARCHITECTURE; SYMMETRY + PATTERN; PUZZLE PIECES; NEGATIVE SPACE; EXPRESSION; BUILDING MATERIALS; BUILDING LAYERS; BUILDING LEVELS; LEFT-TO-RIGHT PERSPECTIVE; BUILDING CURVES; MULTI-POINT PERSPECTIVE; PERIMETER VIEWS; OPEN + CLOSED; VEGETATION; BUILDING SHADING; FINAL STUDY; THE AUTHOR; ACKNOWLEDGEMENTS 
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