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Screening Difference : How Hollywood's Blockbuster Films Imagine Race, Ethnicity, and Culture.

Did you know that Pocahontas probably never fell in love with John Smith, as the Disney and other film versions of those events pretend? That Godzilla was originally an anti-American and anti-nuclear movie, heavily cut and supplemented with new material? That Zorro was not created by an American aut...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ginneken, Van Jaap
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Blue Ridge Summit : Rowman & Littlefield Publishers, 2007.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Title Page -- Copyright page -- Dedication -- Contents -- Preface -- 1 The Loud and the Silent: Global Film in the Twenty-First Century -- 2 Children and Adults: Animated Cartoons -- 3 Civilized and Savage: Antiquity Movies -- 4 The Tamers and the Wild: Wilderness Adventure -- 5 The Prolific and the Idle: Westerns and Southerns -- 6 The Prude and the Lewd: Romantic and Erotic Encounters -- 7 Helpers and Helpless: Colonial Adventure -- 8 Friends and Foes: Spy, Action, and War Movies -- 9 Believers and Heathens: Religious Films 
505 8 |a 10 The Advanced and the Backward: Science Fiction and Space Adventure11 Other People's Dreams -- Glossary -- Notes -- References -- Index -- About the Author 
520 |a Did you know that Pocahontas probably never fell in love with John Smith, as the Disney and other film versions of those events pretend? That Godzilla was originally an anti-American and anti-nuclear movie, heavily cut and supplemented with new material? That Zorro was not created by an American author but derived from the much older Mexican struggle for independence? That Anna and the King was largely invented? That the myth of the sexually eager Hula girls is based on misunderstandings by the first explorers? That Black Hawk Down and many other war movies were censored and indirectly subsidi. 
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