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The renaissance of emotion : understanding affect in Shakespeare and his contemporaries /

This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Meek, Richard, 1975-, Sullivan, Erin (Cultural historian)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2015.
Colección:Manchester Shakespeare collection
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The renaissance of emotion :  |b understanding affect in Shakespeare and his contemporaries /  |c edited by Richard Meek and Erin Sullivan. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2015. 
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504 |a Includes bibliographical references. 
505 0 |a The theology and philosophy of emotion. The passion of Thomas Wright : Renaissance emotion across body and soul -- 'The scripture moveth us in sundry places' : framing biblical emotions in the Book of common prayer and the Homilies -- 'This was a way to thrive' : Christian and Jewish eudaimonism in The merchant of Venice -- Robert Burton, perfect happiness and the visio dei -- Shakespeare and the language of emotion. Spleen in Shakespeare's comedies -- 'Rue e'en for ruth' : Richard II and the imitation of sympathy -- What's happiness in Hamlet? -- The politics and performance of emotion. 'They that tread in a maze' : movement as emotion in John Lyly -- (S)wept from power : two versions of tyrannicide in Richard III -- The affective scripts of early modern execution and murder -- Discrepant emotional awareness in Shakespeare. 
520 3 |a This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas. 
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600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Criticism and interpretation. 
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