Cargando…
Sound Effects.
Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden :
BRILL,
2015.
|
| Colección: | DQR studies in literature.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses.
- 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006).
- 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index.