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Sound Effects.
Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden :
BRILL,
2015.
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| Colección: | DQR studies in literature.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sacido-Romero, Jorge. | |
| 245 | 1 | 0 | |a Sound Effects. |
| 260 | |a Leiden : |b BRILL, |c 2015. | ||
| 300 | |a 1 online resource (359 pages) | ||
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| 490 | 1 | |a DQR Studies in Literature | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses. | |
| 505 | 8 | |a 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006). | |
| 505 | 8 | |a 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index. | |
| 520 | |a Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Voice (Philosophy) | |
| 650 | 0 | |a Literature |x Philosophy. | |
| 650 | 0 | |a Essays. | |
| 650 | 6 | |a Voix (Philosophie) | |
| 650 | 6 | |a Essais (Genre littéraire) | |
| 650 | 7 | |a essays. |2 aat | |
| 650 | 7 | |a Essays |2 fast | |
| 650 | 7 | |a Literature |x Philosophy |2 fast | |
| 650 | 7 | |a Voice (Philosophy) |2 fast | |
| 700 | 1 | |a Mieszkowski, Sylvia. | |
| 758 | |i has work: |a Sound effects (Text) |1 https://id.oclc.org/worldcat/entity/E39PCYdx8vxrhDxqrVQVHjPJDq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Sacido-Romero, Jorge. |t Sound Effects: The Object Voice in Fiction. |d Leiden : BRILL, ©2015 |z 9789004304383 |
| 830 | 0 | |a DQR studies in literature. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=2198242 |z Texto completo |
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