Cargando…
The artist as curator /
In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized.
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2015.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note.
- Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' SeriesReferences; Note; Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi; References; Notes; Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects; References; Chapter 5: Erasure: Curator as Artist; References; Notes; Chapter 6: Say My Name; Notes; Chapter 7: Performing the Curator, Curating the Performer: Abramović's Seven Easy Pieces; The Curator; The Archive; Performance; Seven Easy Pieces; References; Notes.
- Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover.