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The artist as curator /
In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized.
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2015.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 082 | 0 | 4 | |a 069.068 |
| 049 | |a UAMI | ||
| 245 | 0 | 4 | |a The artist as curator / |c edited by Celina Jeffery. |
| 260 | |a Bristol : |b Intellect, |c 2015. | ||
| 300 | |a 1 online resource (214 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note. | |
| 505 | 0 | |a Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' SeriesReferences; Note; Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi; References; Notes; Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects; References; Chapter 5: Erasure: Curator as Artist; References; Notes; Chapter 6: Say My Name; Notes; Chapter 7: Performing the Curator, Curating the Performer: Abramović's Seven Easy Pieces; The Curator; The Archive; Performance; Seven Easy Pieces; References; Notes. | |
| 505 | 0 | |a Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Artists as art museum curators. | |
| 650 | 0 | |a Curatorship. | |
| 650 | 0 | |a Art |x Exhibition techniques. | |
| 650 | 6 | |a Artistes conservateurs de musée d'art. | |
| 650 | 6 | |a Conservation. | |
| 650 | 6 | |a Art |x Techniques d'exposition. | |
| 650 | 7 | |a conservation (discipline) |2 aat | |
| 650 | 7 | |a preserving. |2 aat | |
| 650 | 7 | |a curating. |2 aat | |
| 650 | 7 | |a preservation (function) |2 aat | |
| 650 | 7 | |a conservation (process) |2 aat | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
| 650 | 7 | |a Art |x Exhibition techniques |2 fast | |
| 650 | 7 | |a Artists as art museum curators |2 fast | |
| 650 | 7 | |a Curatorship |2 fast | |
| 776 | 0 | 8 | |i Print version: |t Artist as curator. |d Bristol, UK ; Chicago, USA : Intellect, 2015 |z 9781783203376 |w (OCoLC)919192659 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=2197321 |z Texto completo |
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| 938 | |a Askews and Holts Library Services |b ASKH |n AH31827930 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis32505416 | ||
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