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Double Shakespeares : emotional-realist acting and contemporary performance /

"Double Shakespeares examines contemporary performances of Shakespeare plays that employ the 'emotional realist' traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mazer, Cary M. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Madison : Lanham, Maryland : Fairleigh Dickinson University Press ; Co-published by Rowman and Littlefield, [2015]
Colección:Shakespeare and the stage (Fairleigh Dickinson University Press)
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781611478440  |q (ebook) 
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020 |a 9781611478440  |q (electronic) 
020 |z 9781611478433  |q (cloth ;  |q alk. paper) 
020 |z 161147843X  |q (cloth ;  |q alk. paper) 
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100 1 |a Mazer, Cary M.,  |e author. 
245 1 0 |a Double Shakespeares :  |b emotional-realist acting and contemporary performance /  |c Cary M. Mazer. 
264 1 |a Madison :  |b Fairleigh Dickinson University Press ;  |a Lanham, Maryland :  |b Co-published by Rowman and Littlefield,  |c [2015] 
300 |a 1 online resource (xii, 201 pages) 
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490 1 |a Shakespeare and the stage 
504 |a Includes bibliographical references (pages 185-192) and index. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
505 0 |a Double selves -- Undoubling and redoubling -- Double bodies -- Double fictions -- Double memoirs -- Frames -- Three scripts, three productions, six plays -- "Wounds Invisible": an epilogue. 
520 |a "Double Shakespeares examines contemporary performances of Shakespeare plays that employ the 'emotional realist' traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor's body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal--both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals--and how they show us the process by which the actor does or does not 'become' the character. And, finally, it looks at modern performances that 'frame' Shakespeare's play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character."--Publisher description 
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600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Dramatic production. 
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650 0 |a Acting  |x Philosophy. 
650 0 |a Shakespearean actors and actresses. 
650 6 |a Art dramatique  |x Philosophie. 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 7 |a Acting  |x Philosophy  |2 fast 
650 7 |a Shakespearean actors and actresses  |2 fast 
650 7 |a Theater  |2 fast 
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